Game of Thrones: Season 2 Finale “Valar Morghulis”

GAME OF THRONES: 2.10 “Valar Morghulis”

Season two of Game of Thrones ends with a horde of blue-eyed dead men and white-walkers with crystal swords shambling towards the Night’s Watch encampment, all while poor Sam cowers under a rock and watches in horror. The show did a great job of building up to this horrific scene; the horn blowing out three slow notes to warn of the white-walker’s arrival, the fear in the ranger’s faces as they ran back to camp, the way the wind and snow rose up around Sam, cutting him off from his friends. For the men of the Night’s Watch beyond the wall, winter is here.

We’ll leave Sam hiding under his rock for now for a quick trip around the world of Westeros and Essos, to check in and see where everyone is left at the season’s end.

  • Tyrion is recovering from his ghastly injury in a dank room that must be somewhere near the bottom of the royal palace. He’s been stripped of his title, his valor in battle forgotten by his conquering hero father; his hill tribe bodyguards have been sent away, and Bronn has been relieved of his command. At least Shae still cares for him, as it’s clear that their relationship has passed beyond that of a prostitute and customer. She tries to get him to flee with her across the sea to Pentos, but Tyrion realizes that the game of politics is what he loves and what he’s good at, and he can’t leave it behind. Given his reduced status, and that after one failed assassination attempt, Cersei’s almost certainly likely to try and kill him again, Tyrion will need to use all of his considerable intellect to keep himself alive next spring. We’ll see how he does. One thing we know for sure, though, is that the Half Man doesn’t run.
  • Sansa is relieved to learn that her marriage to Joffrey has been cast aside for a more expedient political alliance. Joffrey will marry Margarey, Renly’s former wife (who, according to her brother, was never able to consummate her first marriage), to seal the newly formed alliance between the Lannisters and the Tyrells. Sansa lets out a little happy laugh when she thinks no one is looking, but her joy turns to ash when Littlefinger, now the new lord of Harrenhall, informs her that her position in King’s Landing has become even more dangerous. Instead of becoming Joffrey’s wife, she’s now just the daughter and sister of traitors, free to be abused and used by the brutal and capricious king.
  • Arya and her traveling companions meet Jaqen outside of Harrenhall, and the mysterious assassin offers to take Arya away from Westeros and teach her how to take revenge on the people who have hurt her and her family. She declines, explaining that she has to remain so she can reunite with her sister, brothers, and mother. Instead, Jaqen gives her a coin, and tells her that if she is ever in trouble, she simply needs to give the coin to any man from Braavos and repeat the words “valar morghulis.” With that, Jaqen turns his head away, and looks back, wearing an entirely different face. I’m sure this special coin will come into play at some point next season.
  • Robb and Talisa are married in a very nice, simple ceremony beneath a huge tree. It’s a touching scene, but I can’t help but feel looming danger on the horizon. The show keeps reminding us how Robb is breaking his oath to the Freys. Because it’s told us how dangerous and ill-advised this sort of oathbreaking is, I can only imagine that it’s going to come back to bite Robb somehow. For now, though, he can have at least a few minutes of quiet happiness, something that few people in this show get to experience.
  • Quorin, in the hopes that Jon might be accepted by the wildings and therefore in a position to try and kill their king, picks a fight with Jon and winds up getting killed. His last words to Jon, “We are the watchers on the Wall” are said to help remind the younger ranger that he’s still a man of the Night’s Watch, even if he’s pretending to be a traitor, and he must do whatever is necessary to protect Westeros.
  • Back at Winterfell, Theon ignores some very kind advice from Maester Lewin (“Go North! Take the black!”) and instead tries to rally his men for a final suicidal stand against the 500 Northmen outside of the walls. His second-in-command brains him with a club for his efforts; it looks like his men will drag him back to the Iron Islands, though I really have no idea how they expect to get back with all those Northmen besieging the castle. All in all, this storyline was terribly anti-climatic. Somehow (I’m assuming) the ironmen escape, and either they or the Northmen outside the walls, wind up setting fire to Winterfell. Bran, Rickon, Hodor, and Osha emerge from the crypts to find ash and fire everywhere. They find Maester Lewin near Ned Stark’s old tree, dying from a spear wound to the gut. The boys say goodbye to the man who’s been a grandfather figure to them their whole lives; I’ll admit that I got a little choked up by the farewell. The boys leave, and Lewin tells Osha to take them north, before looking at her knife and asking for the gift of mercy. Next, we see the four walking (or rolling, in Bran’s case, since he’s in a wheelbarrow) away from the castle, with Winterfell still smoldering and burning in the background.
  • Finally, Dany enters the warlock’s House of the Undying to find her dragons, and is treated to some pretty cool illusions. In one, she walks through the shattered throne room in King’s Landing. The roof has been torn off, the stones broken and scorched, the great stained glass windows shattered. Snow is falling, and the iron throne is covered in ice. Winter has come to King’s Landing. Is this a vision of the future, or some other kind of prophecy? She also sees, briefly, the land beyond the wall, and then is finally confronted by an image of Drogo and the unborn son that they never knew. As sweet as the illusion is, she turns her back on it, returning to reality and commanding her dragons to burn the warlock to death. With her three dragons back, she storms Xaro’s estate, to find the newly crowned King of Qarth in bed with her former assistant, Doreah, who must have helped Xaro and the warlocks capture the dragons in the first place. As punishment, she locks both of them in Xaro’s famed treasure vault, which of course is completely empty, no doubt another comment on how people in this world are willing to buy into illusions. Dany and her followers strip Xaro’s estate for anything valuable, and it looks like they have enough for a small boat. But where will it take them?

This episode had a lot of storylines to wrap up, and a lot of ground work to lay down for next season. It all worked fairly well, though I was a bit disappointed by the end of Theon’s story, if only because I had a hard time believing his men would have been able to sneak out of the castle without being noticed by the forces besieging it. There were also a lot of changes from the book, and I’ll be interested in seeing how the writers reconcile those changes with certain plot progressions next year, but I’m not really going to harp on the differences between book and show because… well, the show is it’s own entity, and I’m getting a little tired of noting all the differences. I just want to enjoy it as it is. Overall, season 2 was a great one, possibly better than the first. I can’t wait until next year.

‘Drop Dead Diva’ Is Back This Sunday!

The events of last season’s finale of Drop Dead Diva made my jaw drop. Grayson and Stacy kiss?! Stacy told Grayson that Jane is Deb?!

Well, if you’ve been waiting as long as I have to find out what happens next with our favorite characters, your wait is finally over. Drop Dead Diva returns on Sunday night with a brand-new episode. And let me tell you, if you think the finale brought high drama, you ain’t seen nothin’ yet.

I don’t want to let you know what happens, but I will say that change is afoot in Jane’s life, and I can’t even believe what I’ve seen. If you’re expecting a premiere with a splashy musical number, well, not this time. While still entertaining, this episode has a dark side. Jane’s life is certainly changing, and this episode kept me enthralled between tears, exclamations, and of course, general enjoyment. I can’t wait to see what happens next.

So check it out on Sunday. The new season premieres at 9/8c on Lifetime. (Miss some of last season? Lifetime will be airing four episodes — including the season three finale — starting at noon tomorrow.)

Thursday Open Thread: Buffy or Angel?

It’s summertime, which means coming up with some good open threads (and remembering to put them up) is going to be tough. In fact, if you have any ideas, be sure to let me know. But for today, let’s go with an oldie but goody, a question that I constantly debate in my own mind:

Which series was better: Buffy or Angel?

Yep, it’s a Whedon faceoff, and it’s a tough question. One the one side, there’s always that argument that spinoffs are never as good as the series that proceeded them. And Buffy had some fantastic, iconic episodes — “The Body.” “Hush,” and “Once More with Feeling,” for example.

But then again, Angel had incredible ongoing story arcs and really took the show into a darker place (that, too, could be argued, given season six of Buffy). And hey, can you really argue with a show that turned its own leading man into a puppet?

Honestly, they’re both two of my favorite series, and when I debate this on my own, my answer changes every time. So which is your pick? Which series was better? Let me know in the comments!

Mad Men: Crossing the Line

MAD MEN: 5.11 “The Other Woman”

Did that just happen? The firm gets Jaguar, Joan prostitutes herself, and Peggy quits?

This was an epic episode of Mad Men. In one episode, everything changed. For one thing, we see that Pete is more despicable than ever. When a potential client hints at a night with Joan, Cosgrove turns it off, but Pete actually picks up the opportunity.

It was disgusting. This is not some Saved by the Bell deal, where Screech gets his dog back if Jessie goes back with the head nerd, all ending in a slobbery puppy kiss that he thinks came from “Legs.” No, this is full on prostitution.

What’s worse is that Pete just can’t seem to hear the word “no.” Cosgrove tries to steer him in another direction, and he presses on. Joan tells him how insulted she is by the notion, in essence closing the conversation. Instead of dropping it, he goes to the partners. Even after Don adamantly tells him to stop it and leaves the room, he convinces the other partners to let the offer stand. In the end, Joan gets a partnership (with Pryce’s suggestion), and she leaves her morals on the bedside table.

It’s actually rather sad. Roger and Pryce both clearly care for Joan, but they also realize Joan’s her own woman. With Pete’s lie that she was considering it, they’ll hesitantly take her offer. Don cares, too, enough to actually go to Joan’s house to stop her. Unfortunately, we discover that he’s just too late, and the damage is done. Sure, the damage gets them Jaguar as a client, but was it worth it?

On the other side of the spectrum was Peggy, who has gotten rather fed up with her position in the company. After landing an account, Don drops her from it. When she presses him to keep her on, to get her to do the campaign in Paris, he throws money in her face, telling her to go. Strangely enough, when you look back at this scene after realizing what Joan has just done, you realize that much more how this world wasn’t made for women, how women can still be treated like crap.

Peggy’s better than that, and she knows it. So when she starts seeking other offers, she finds one that she can’t refuse. I knew Peggy was heading in a new direction this season, what with her failures in early episodes and the loss of her mentor, but I didn’t think she’d leave the company. Watching her and Don discuss her leaving was such a great scene — I think Don went through each of the stages of grief in five minutes — and the single tear from Peggy showed that even she was having a hard time with the choice.

But that moment at the elevator, she had a smile on her face. This is a step up for Peggy, and this could mean some interesting things for the company. Will Peggy now become their biggest competition?

I can’t wait to see what happens next.

Game of Thrones: Blackwater

GAME OF THRONES: 2.09 “Blackwater”

Well, that was exciting wasn’t it?

This episode felt more like a movie than a single episode of television. I love all the different characters in the series, and I love how the action constantly jumps to different people and settings to change things up. Sometimes, though, the constant perspective shifting can make things feel scattered and rushed. “Blackwater” instead focused solely on the battle at Kings Landing and how it was experienced by a number of different people. This laser like focus is what helped make this, in my opinion, the best episode the show has done so far.

I’m a big fan of this story. I’ve read through all five of the George R. R. Martin books at least twice. I know all the big plot points, and the fates of many favorite characters. Despite all this knowledge, though, “Blackwater” was an extremely tense, engrossing hour of TV. I was worried about the fates of characters I knew had to survive. I don’t have a minute by minute breakdown of the scenes right in front of me, but I seem to recall that the action didn’t really begin until close to halfway through the episode. The scenes before that, with Tyrion lying awake worrying, with Davos pacing around his ship while soldiers threw up into buckets below deck, just helped ratchet up the tension beautifully. By the time Bronn’s flaming arrow arched through the sky, I was wound up pretty tight.

Some things I liked:

  • The following exchange between Tyrion and Varys was the best conversation of the night:

Varys: I’ve always hated the bells. They ring for horror. A dead king, a city under siege…

Tyrion: A wedding?

Varys: Exactly.

  • I thought Tyrion’s use of the wildfire was very clever. A bit different from the books, but very effective. I also liked his speech to rally the troops. They don’t really care who sits on the Iron Throne; better to appeal to their civic pride, and to the defense of their homes and families, than to the honor of some cruel king who doesn’t know or care about their lives.
  • The actor who plays The Hound did a great job showing his terror after seeing all the burning soldiers on the beach. Looks like he has a case of medieval PTSD.
  • I also really liked seeing how Cersei, Sansa, and the other women reacted to the developing news of the battle as they were shut up inside the inner keep. Sansa was great in this episode; she looked appropriately terrified as a drunken Cersei explained how all the women in the castle would be raped once the city fell. I also loved how she subtly taunted Joffrey before the battle.

One more episode left to wrap up the season. It’s been a great one so far, and I’m looking forward to checking in with the rest of our favorite characters, and to see the aftermath of this huge battle.

Men at Work: Some Early Thoughts

I’m not sure if it’s the official start of the summer season (other some series may already be airing), but for me, tonight’s premiere of the new series Men at Work tells me that while our old favorites — let’s be honest, Vampire Diaries and Revenge — may be taking a break, there are other shows starting that can keep us entertained this summer.

Men at Work is a new show from TBS, starting tonight at 10 pm EST tonight with two episodes back-to-back. The show grabbed my attention because it’s bringing some old favorites back to the screen, namely Danny Masterson from That 70s Show. Masterson was one of the few people that really entertained me year after year on That 70s Show, so it definitely made me curious about the series.

Who else? How about Adam Busch, of Buffy fame. Hopefully, in this series, his skin stays on. You’ve also got James Lesure, who I most remember from the short-lived Mr. Sunshine, and Michael Cassidy, who I didn’t recognize from anything, but I’m surprised to see that he was in Hidden Palms, an even shorter-lived series from summers past (among a few other shows I just frankly haven’t seen).

Having seen the first two episodes, I have to say it’s a solid show. The pilot suffers from the same thing many other pilots suffer from: trying to get exposition and plot moving, while identifying the new characters as interesting. Of course, “interesting” usually comes off as “flat,” so you’re seeing one-dimensional caricatures, and in the end, you really don’t know who anyone is.

On the bright side, since tonight you’ve got two episodes back-to-back, you have the opportunity to really get to know the series more fully. The characters have their own quirks, and if you can get past the forced laugh track, there are actually some good lines in there.

What makes me laugh the most, though, is the setting. Being a girl, I’m quite attuned with chick lit: the girly stories with female heroines, usually working in publishing, hoping to find love in the big city, gabbing with their best friends who, strangely enough, all work together.

Men at Work is what I guess you could call “dick lit.” I know it’s crass, but you’ve got four buddies, and while they may not be looking for love, they’re certainly looking for something in their female counterparts. And hey, they even all work in publishing, a male-focused magazine that apparently hasn’t realized it needs to move to the web yet (especially when they’re cutting costs by reducing paper — meaning, literally, page count). The jokes aren’t all grotesque, but if you can’t laugh at someone sitting on a toilet seat in jail or bad dirty talk, this might not be one for you. Fortunately, this humor is off-set by some other jokes that aren’t so gross, and it ends up being a well-balanced show.

Is it perfect? Well, not so far. But it’s got some good room for growth, and I really trust the cast to do some fun stuff. I’d say that it’s worth viewing tonight, and maybe tomorrow you can let me know your thoughts.

Thursday Open Thread: What to Watch this Summer?

Eliot said that April was the cruelest month, but for a TV fan, the end of May might be even worse. Most of our favorite shows have had their season finales (Community, Parks and Rec, Fringe, Revenge) while others are coming up only in a few weeks (Mad Men, Game of Thrones).

I love longer days, and spending time outside but I like having something good to watch every once and a while as well. In that respect, summer looms on the horizon, a vast black hole of programming. I think Raked is really excited for the return of Falling Skies; I like the show, but I’m not quite as high on it. I think I can honestly say that I don’t have any thing on my radar as a must-watch this summer, and that makes me a little sad. I’ll spend some time watching back episodes of The Wire, but I do wish there was something new during the hot months that could draw me in.

What about you? What summer series (new or old) will you be watching between now and September?