KT is looking forward to the showdown at sectionals.
GLEE: 1.11 “Hairography”
Here’s what we got this time on Glee:
-Baby Drama, combined with Everybody Loves Finn
-Preparation for sectionals, which presumably are going to be the big fall finale in two weeks.
The best part of the episode was the introduction of the two glee clubs that McKinley High will compete with at sectionals — and if you’re very sharp, you may have remembered that one is a correctional school for girls and the other is a school for the deaf. This was played as a joke in an earlier episode, but is treated more seriously here.
Rapper Eve leads the group from the correctional school, a serious woman trying to help her students get their lives on track. In contrast, the music teacher from the school for the deaf is written as a comic character — his definining trait is that he’s much more deaf than he thinks and is very sensitive about it. Sue brushing him off and telling him to read her lips was funny and very Sue.
The deaf choir, on the other hand, was very tastefully presented with a spoken/signed rendition of “Imagine” that our kids couldn’t resist joining in on. Perhaps overly sentimental, but I liked it.
I also liked the friend-ish, sidekick kind of vibe Rachel and Will had going on in this episode, and of course he realizes that she’s right, in the end. His kids don’t need to distract the judges with what Rachel calls “hairography,” leading to a charmingly unassuming performance of “True Colors” with Tina in the lead.
People were getting distracted all over the place in this epiosde, and usually stemming from the Baby Drama. Quinn wants Kurt to make-over Rachel to distract Finn so she can spend time with Puck, who turns out to be distracted by Santana. Terri buys Will a dupicate of his much loved first car to distract him from her fake pregnancy, which backfires pretty much 100% when his brother-in-law gets him thinking about car seats for the new baby and Will trades the “Blue Bomber 2” for a minivan. I admit, I didn’t really expect Will to be the kind of guy who likes to work on cars, but I can’t come up with any reason why he shouldn’t be, either.
Quinn turns out to be so good at distracting Will and Terri’s horrific nephews that she re-thinks the idea of parenthood, especially when Puck seems to be interested in getting back together. They even throw together a one-voice, one-guitar version of “Papa, Don’t Preach,” which is pretty much a perfect song for her. But Puck is just good-looking bad news as far as I can tell, and when Quinn realizes that he wants to have his cake… and also eat other cakes, she goes back to the baby-swap idea.
Luckily for her, Finn is loyal as a hound dog — and Kurt sabotaged Rachel’s Friday night with Finn big time. In my eyes, the big lump went a long way towards coming back from last week’s terrible terrible idea to tell Quinn’s parents about her pregnancy when he pointed out how also terrible the end of Grease is. (Don’t tell me Sandy just needed to loosen up a little or get in touch with her sexuality. The on-screen message is that to get the guy, you have to change who you are, and you better do it in the direction of being borderline slutty. Revolting.) Anyway, I’m happy to say that Finn was as weirded out by Rachel’s Sandy act as I was and shut her down pretty fast. The resulting misery-loves-company scenes between Kurt and Rachel were good, though, and I’d like to see more of their somewhat chilly friendship.
Speaking of misery loving company, though, I regret to point out that we’re going to have a four month hiatus from Glee. We get two more new episodes, but after December 9, we have to wait until April 13, when Glee will be on Tuesdays after American Idol. I wonder if it’s because it takes them longer to make each episode because of all the musical numbers.
So guys, what’s our distraction?