Halloween horror bunnies

In honor of Halloween, I thought you all might want some short videos. Horrifying videos.

With bunnies!

Here are some great minisodes of 30 Second Bunnies. Now, when I first heard of this, I was picturing stuffed bunnies or puppet bunnies. I was wrong, but they’re still entertaining. I watched a couple of these yesterday–namely, Saw, Texas Chainsaw Massacre, and The Ring. Sadly, I hadn’t seen two out of three of these, so the cartoons made no sense. I saw Ringu a few years ago, so I was a little rusty on it.

BUT if you’ve seen the movies, they’re actually really funny. In my quest to watch cartoon bunnies, I stumbled across The Shining, which was just great. I was really laughing at this one. Clearly, if you know the plot, they’re entertaining. Or maybe it’s because it’s a classic psychological thriller.

Either way, since they are 30 seconds long, why not take a look and see?

So take a look at The Shining, Texas Chainsaw Massacre, and The Ring below. Let me know what you think. There are a few others out there (Scream and The Exorcist, for example), so feel free to keep on searching and recommend (or just comment on) others if you want.

And what others should be made? I’m thinking Misery and Carrie are next on my list. Stephen King’s the man.

I hope they don’t spoil the ending for you!

HAPPY HALLOWEEN!

PS – Throughout this entire post, I just keep hearing Anya sing, “Bunnies, bunnies, it must be bunnies!”

More Whedon Pumpkins

Happy Halloween!

In honor of the day, I thought I’d link to some wonderful Whedon pumpkin patterns. Like, say, Dr. Horrible?

So if you’ll notice, this is definitely just a pattern, as opposed to the last Dr. Horrible post. Actually, I think that you can download a PDF of the pattern if you want.

I also should note that my friend and I take NO CREDIT for this pattern and the Firefly/Serenity ones below. All these patterns that I’m posting came from PinkRayGun. But take a look. If you do them, take a picture and share them! I’d love to see them, and I know PinkRayGun is asking for pictures, too.

These are my favorites. More, plus Heroes here.

Save the cheerleader, save the world.

Joss Whedon: Master of Invention

Dr. Horrible’s Sing-Along Blog was listed as one of Time’s Best Inventions of 2008. See the video with commentary here. (Sorry, I’d embed the video, but for some reason it won’t let me.)

Now, I think this is awesome. Well, kinda. I definitely love it when Joss Whedon or Neil Patrick Harris get their props. Definitely props-worthy. It was a clearly fantastic series: plot, music, cast, everything.

But is it an invention? Ok, here’s the thing. They said they chose it because it was clearly influential as an episodic online series and it deserves to be mentioned (…and it has Neil Patrick Harris in it, which really made me laugh). I agree that this show was influential and that in many respects, it should be mentioned.

Again, is it an invention? Now, let’s stop here. I’m not going to define what I think an invention is. Whether it’s an idea, a concept, a product, something tangible. That’s not really the issue. My main thought process, I guess, is that an invention is something that is new and has never been in existence–whatever it may be, tangible or not. So basically, Time’s list is about those that have never been in existence before 2008.

Dr. Horrible was not in existence before 2008 but other episodic online series were. Take a look at Prom Queen. 2007. Long before that was LonelyGirl15. That was an episodic online series before people even realized it was a series.

So the online series has been around. Just because something was influential doesn’t make it an invention. Just because it was popular doesn’t make it an invention.

Now, please don’t attack me here. Dr. Horrible was phenominal and definitely deserves to be on many top _____ lists of 2008. But invention? My argument is with that word, not the series.

In the end, though, it’s awesome that someone like Time would note the series. And I like having further press for it. I mean, I still get the songs in my head. How effective is that?

[DISCLAIMER: Please note that I've only watched this video regarding the choice. If anything's been printed, I haven't seen it. If anything's online, please pass it along! Maybe you can change my mind--or at least give me more info about why they chose what they chose.]

Lack of the old, go with the new

The World Series stole my Wednesday night. Ok, not really, but since the only shows that I watch on Wednesdays are America’s Next Top Model and Bones, I really have nothing to write about. Bones was a rerun, and I’d have nothing to say about ANTM other than, “I can’t believe they chose to send Sheena home instead of Elina. I can’t stand Elina. Send her home. If she wins, I’ll be really mad. But I’m afraid they’re going to make her win. Grr.”

See? No one wants to read that.

So instead, I thought I’d write about an upcoming show. Slated for mid-season 2008-2009 (which basically means January-ish) is The Unusuals, starring one of my favorite actresses Amber Tamblyn of Joan of Arcadia. As every report seems to love to share, this would be her first TV series after Joan got dropped in 2005.

The Unusuals is a dramedy to be aired on ABC. I can’t quite get a grasp of the premise, other than that it’s a cop show that takes place in New York, and each of the members of the squad has its own quirk about him or her. Amber Tamblyn plays Casey, a young detective and black sheep of her family. Here’s the description found on TV.com:

The Unusuals is described as a comedic procedural. Sometimes life takes an unexpected turn, as in the morning Casey Schrager is a vice detective and later finds herself a part of the homicide squad. As Casey gets to know her new co-workers she discovers that each one has their own sense of humor and their own secrets. The Unusuals was created by Noah Hawley and is produced by Denis Leary, Peter Tolan and Jim Serpico, also known for FX’s Rescue Me.

Now, I’ve never seen Rescue Me, so I don’t know how funny that show is. But I’ve heard good things about it in general, so having Denis Leary on board makes me smile. My issue is that I still see Amber Tamblyn as a rather young person, so having her be a detective seems a little strange. Maybe it’s just because I keep picturing her as Joan or Tibby, but it just seems out of place. I’m a huge fan, though, so I’m looking forward to seeing how she plays it.

In general, I just want to know more about it. Promos, ads. I found this article about it, but that’s about it. Well, there are others, but most of them say about the same thing. ABC hasn’t posted anything on their site about it yet, sadly.

But I’m looking forward to it. It makes me feel better to know there’s a little bit of comedy involved–it explains the mustaches, why Eddie from Friends has been cast, and how it will stand out from the rest of the cop shows.

So stay tuned. The more I hear, the more I’ll let you know!

Eli Stone: The rest is still unwritten

ELI STONE: 2.03 “Unwritten”

Well, for such a buildup in a promo, I was quite let down with this episode. I appreciated the back and forth with Eli’s visions, but I guess I was hoping for something a little more groundbreaking. Whether in his visions or in the episode, really, nothing much happened.

Jordan won his case but lost his position in the company. On the bright side, he keeps the snazzy office. And whoever wants to stay with his new firm. The issue is, of course, that those who stay will get a huge paycut and are starting back up at a startup company.

I like the way he won his case, but it all seemed a little too West Wing for me. “Bartlett for President,” anyone?

Eli got his chance at a big Supreme Court case, only to have it settled before he reached the top. And part of the settlement is that he couldn’t take it to court again. Bye bye, Supreme Court. He hands it off, though, so we know some good will be done. But…was that Maggie playing with the bad boys this time?

Let’s discuss Maggie. First, I’m so glad they got off this Maggie/Eli love tension thing. Second, I’m so glad they finally made her look like a LAWYER! I don’t know who decided in season one that Maggie would be the next Ally McBeal, but Calista Flockhart she is not.

So she’s finally LOOKING and ACTING like a lawyer, which just might be why she stays with the “bad” company based on Eli’s last vision. She wants to be at the top.

But I still don’t find it believable. She claimed herself to be on Team Jordon then would turn on him? Hugged a little child while in the middle of court, then turn on her? I don’t think she has it in her.

But she was wearing one snazzy outfit.

In the end, I was hoping for more for this episode. Really, I came out of it with little to say (which you can tell by this snazzily short post). Eli burned the notebook, which seemed…too early? I thought they could play that up more. But I do like the implications that Eli would not have liked what he read.

So when it was all said and done…the said got burned (in more ways than one).

And in case you’re keeping track, I used a form of “snazzy” three times (well, now four).

Bringing magic to the movies

Selena Gomez has loose lips. She spilled the beans that the Disney Channel original series Wizards of Waverly Place looks like it will be having its own movie.

This is really not a surprise for me. Most Disney Channel series end with a movie, and I was expecting it for this series especially. The entire premise of the show is that this is a family of wizards and in the end, the kids will have to have a competition to decide who of the three will keep their powers. I figured all along that a Wizards movie will happen–whether on the big screen or small–to sum all that up, most likely with them deciding that all three will magically keep their powers so that people aren’t disappointed.

This article doesn’t really indicate whether the movie will be in theaters or shown on Disney Channel, but I’m guessing the latter. Very rarely does a Disney Channel show move to the big screen–the main exception being The Lizzie McGuire Movie. In fact, in the time of Lizzie McGuire, most shows had a TV movie in place to wrap things up. Take a look at Even Stevens and The Proud Family. Kim Possible has had a couple (though I think that show just keeps on trekkin’. Is it still showing new) Ok, maybe not all, but the especially popular ones.

So Wizards doesn’t surprise me, especially when you consider that usually Disney Channel shows need to wind up in three seasons. Otherwise, the characters grow up a little too old to keep a tween’s attention. (The big exception here is cartoons and The Suite Life of Zack and Cody, which has moved on to The Suite Life on Deck, but these kids were younger than the usual stars are when the show started, so there’s a little wiggle room in there.) Not only that, but with aging characters comes storylines that are just a little too old for the Disney Channel audience. Can you imagine a sequel to the High School Musical franchise held in college? Methinks parents wouldn’t be too happy with what Gabriella and Troy are doing in their dorm rooms.

(Hey, I meant dancing.)

But so news of a movie shouldn’t excite the kiddies too too much yet. Get a few more details before popping the candy in celebration. After all, they don’t even have a solid plot line. Selena suggests it should be about their secret almost being exposed but my theory holds about the competition. It looks like that might have bigger ramifications. But that’s just speculation.

Vampire Love: Buffy, Twilight, and more

So in honor of Halloween, MTV has posted an article all about our favorite vampire movies and TV shows which includes my favorite:Buffy. It also gets some feedback from Joss himself, which is always a plus.

I think it’s a neat thing to think about, but one particular phrase just made me wince:

“Buffy” the comic doesn’t have as much star-crossed romance as “Buffy” the TV show, in which Buffy falls for Angel, the Edward Cullen of his day.

Ow. Ow, ow, ow. Is anyone else in pain here? Angel is the Edward Cullen of his day? Not only is it entirely inaccurate, but it’s just hurtful to the Angel we’ve come to know an love (but only on his non-evil days).

Right, I get it. We mean he’s a heartthrob, and the tweens and teens today prefer Edward to Angel, but still (btw, do people still use the term heartthrob?).

But beyond that, I find the article interesting. The comparison points between vampire shows and movies is interesting–and I’m finally finding out the premise of True Blood, which I thought was just a human loves vampire show. Didn’t realize the psychic powers.

So clearly, I haven’t seen True Blood. For those of you wondering, yes, I’ve read all four published Twilight books, and I will go see the movie. Don’t get me wrong: I am not particularly a fan of the series. I tended to think it wasn’t very well-written, but in the end, I wanted to know what happened. As for the movie, I made it through 1200+ pages of those books, I should at least go see how it does on the big screen.

In the end, I’m not an Edward fan, and Bella slightly irritates me. (Yes, I’m on Team Jacob.)

I’m a true and blue Buffy fan. And it’s not that I don’t like other vampire series. I actually don’t tend to pay attention to “types” of shows–monster, zombie, vampire. I usually just look at a plot and see how it goes. In fact, even though it’s called Buffy the Vampire Slayer, I kinda forget it falls into that vampire category. It just becomes a show for me.

But since I’m being asked to compare via MTV, I’d definitely say that it has a creativity layer with it. It’s not just about the Buffy/Angel relationship, though that does take us knee deep in plot in season 2 especially. There are apocalypses (as Riley says, “I’m now find myself trying to know the plural for apocalypse” or something to that effect). There are…OTHER CHARACTERS with storylines and plots. Giles has himself a whole background that could be its own show (hmmm, maybe we should call it Ripper and air it in the U.K.–yeah, I’m still bitter about that one). People have written book after book analyzing the series, and there are even college classes about it now.

But I’m not saying it’s the best. Of course not. That would be completely partial on my seemingly impartial blog.

Oh, who are we kidding. Buffy’s the best!

Six degrees of…Zac Efron?

The Jonas Brothers aren’t the only ones with the movie buzz. Zac Efron is movin’ on up. And killing the classics on the way.

Guess what Paramount Pictures now wants to remake: Footloose. That’s right. The Kevin Bacon classic will now be put on the big screen again for a new generation. And guess who they want as the new Kevin Bacon. That’s right. Zac Efron.

Now, I’m not 100% opposed to Zac Efron. I think he has a decent amount of talent as compared to some of the other stars of High School Musical (can anyone say Corbin Bleu?). I saw him in Hairspray and didn’t find him half bad, and to be honest, of all the HSM people to grow, I’d root for him. He did turn down the CD offers after all.

But to remake Footloose. It just seems…too soon and unnecessary. Why can’t we come up with new premises? And what is going to make this original from the original? I hear they’re signing on Kenny Ortega of HSM fame to direct as well.

Now, don’t get me wrong. This isn’t for sure yet, but Paramount sure is trying. I just don’t understand WHY we need to remake and why we can’t find new things to write, film, and create. It’s just like the new news that the CW is looking to do a new version of Melrose Place, probably in the same light as the new 90210.

Is this payback for the writers’ strike or is it just fallout? I’m hoping neither. I should be more excited that they’re falling onto remakes and not more reality television. But going back to the classics? Footloose? What’s next? Recreating the brat pack with Miley Cyrus, Ashley Tisdale, and the regulars from Wizards of Waverly Place?

Jonas Brothers: Upcoming movies

So the Jonas Brothers officially are doing more movies. They’re clearly stepping up to the high esteem of the Academy, too. They’re newest movie is called Walter the Farting Dog. Um, wow. I can just imagine how this came up:

Kevin: Oh my gosh, man, it says farting in the title.

Joe: That’s just hilarious. We have to do it.

Nick (the sensitive one): Come on, guys. That dog might actually have a medical problem.

But in the end, they decide to do it, along with their wee tyke brother, Frankie. In case you’re wondering, here’s a description from E! Online: “Based on the hugely popular kids’ books, the film focuses on some musical siblings…who must take care of their aunt’s odiferous pooch.”

Oh, man, I hope they weren’t typecasted!

In other news, Disney Channel is talking up another movie in the works for the JoBros: The Love Bug. Now, to anyone of my age and older, you immediately think of Herbie. But no, Lindsay Lohan took care of the follow-up film for us. This is a 1940s period piece where the JoBros are marines going off to war.

Um, what?

This pains me. I don’t think I can process these guys in this role. It’s not announce on IMDB yet, so I’m not sure the status, but ouch. They do know they’ll need to act in that one, right? I’ll give Joe some credit; he’s had moderate practice, but Kevin will have to step up to the plate.

Oh, and for all you tweens out there, yes, Camp Rock 2 has been announced.

Sigh.

“Ex” gets axed.

Bye bye, The Ex List.

CBS has officially canceled The Ex List. TV Squad reported that CBS Friday was getting some very U-shaped ratings: People were tuning into Ghost Whisperer and Numb3ers, but they were changing the channel in between. Of course, speculation on numbers doesn’t mean anything…until it does. Variety reported last night that it’s officially gone.

To be honest, it doesn’t surprise me. Or maybe it does. I’m not sure. I wasn’t a big fan of the show. I didn’t really like Bella at all, and the pilot turned me off to some of the other characters or things that the show would consider “funny” from here on out (sorry, fake pubic hair just doesn’t do it for me). Beyond that, I just get bored. It seems like every episode will have the same premise: Bella runs into an ex, tries to date him, realizes he’s wrong or she’s wrong, and then starts over. And honestly, the idea of this girl having SO many exes that she can’t keep track and has slept with all of them…she kind-of reminds me of a slut. I mean, she’s not THAT old.

Plus, the idea that she only has one year to get married–what would happen next season anyway?

I guess we could see CBS’ attempt at marketing desperation when they created a new holiday. When you’re trying to get people to buy flowers just to get them to THINK about a show, it’s kinda far-fetched. Maybe if it were around Valentine’s Day, I could believe it, but it didn’t even make it that far.

NCIS will be taking the time slot for right now. I hear that Moonlight fans will be especially annoyed to hear this news, as the show was cut only to be replaced by another show to be cut. If only we could bring Joan of Arcadia back–though really, which is worse? Knowing your replacement was such a failure it didn’t last till Christmas or that it IS successful so maybe they were right (but really, Joan is still better than Ghost Whisperer in my book).

Anyway, I really only knew one person who watched the show, so not too many people can be hurting. But maybe this just shows us that we need fresh TV and we should stop copying off other countries (this one being from Australia).

Ok, that was a bit of a red herring, but I do think it’s true.

One Tree Hill, I love you

ONE TREE HILL: 6.08 “Our Life Is Not a Movie or Maybe”

Oh, come on, Luke, you know how old these guys are playing high school.

Classic. Meta. Even more meta than Nathan’s line is the characters of a TV show trying to decide who will play them in a movie that’s based on a novel that’s based on their lives which is a TV show. Twisted.

Jamie even lists through his “adventures,” which includes all the improbable things that would happen in ONE child’s life: kidnapped by his nanny, chased through a cornfield, fell in a swimming pool. (Ok, the last one probably happens more than it should, but combined with the others? Not so much.)

This episode was FUNNY. I was chuckling throughout the entire first half of the show. Hearing Jamie say, “Momma says I’m too young to date, but Daddy said it’s ok” followed by Hayley’s “What?!” Damn, that boy is cute.

But then the plot started, and it got kinda rough. Is anyone else hearing someone yell, “Danger, Will Robinson. Danger, danger!” in regards to Lucas’ movie deal? I was getting this feeling throughout the episode LONG before Peyton ran into Julian and we realize they know each other. Now, have we met this character before? Or is this a new mystery? Based on the previews, I don’t think we have, and it looks like we’ll find out next week, but let me know if you guys know otherwise.

Meanwhile, does anyone else want to just kick Gigi in the face? I’m finding her super annoying. And it’s not just because I’ve become a recent fan of Millicent. She’s just annoying.

Then there’s Sam. I’m sorry, I don’t think ANY high schooler would think to bring a five-year-old to her illegal party. It is nice to see her have some guilt in the end, but I just couldn’t believe that she took Jamie out there. I still don’t know what I think about her storyline, but I guess I still just have to ride it out and see how it goes. It seems a little two steps forward, two steps back to me.

And did anyone else notice that Psycho Derek was mentioned TWICE in this episode? That makes three times this season. Methinks that something’s going to happen that’s very close to Psycho Derek. I’ve heard rumors that it’s Brooke-related, which makes sense with her attack earlier this season (did I mention that something seemed Psycho Derek-like back then, because I remember thinking it). I don’t mean to say that Psycho Derek will make a second appearance–I mean maybe, but I doubt it. I mean a storyline that’s very similar might be on the horizon. Mentioning it three times so far, I think it’s going to happen. So I guess we’ll see.

I enjoyed the episode, though, and I really think it’s giving more plot to go on. Maybe some mystery and definitely some humor. That being said, one more meta comment (these were great, really):

I suppose you’re getting some snot from the CW? At least they’re hot.

Love it.

Heroes: Mohinder made a boo-boo

HEROES: 3.07 “Eris Quod Sum”

Whoopsie. Mohinder gave the big bad a big bad. I didn’t even want Papa Petrelli to have the can opener power, and now he has the black eyes? I’m truly wondering: How will this man be stopped?

So let’s go to the death count. Ok, not really a count but an update. Parkman’s dad is dead; Maya is alive. I called the Maya thing. I knew she wouldn’t out of commission for too long, though are we supposed to think that Mohinder is good now? He did kill innocent people, and he did savagely cocoon Maya. But yet, all he wants to do is help her. As soon as she’s powerless and awake, here’s Mohinder ready for…a hug? Are you kidding? Maya seems to remember his storyline of evil, but he doesn’t.

Good job on the fakeout on Parkman’s part, though. I was actually in a good state of shock there for a moment–but it was the kind of shock that made me realize that something wasn’t right. They wouldn’t have killed them both off like that, not that easily. We’d need more drama. More buildup. And boy am I glad. I love these guys. So cute.

Though apparently Daphne has something up her sleeve for either Parkman or the strength guy (though I don’t know his name). Can someone catch me up on that? I think I missed it.

(And by the way, did anyone else notice that Daphne’s hair is the basis of Jenny’s now on Gossip Girl? No, but seriously, I don’t even watch the show–I just flipped past it tonight–and I’m wondering what they did to Jenny’s head. Even Kristen Bell looks better than that.)

In other news, as Lyle so accurately put it, the b*tch is back–well, I guess more accurately would be that the bad acting manface is back. The strange part was that even if Kristen Bell hadn’t been announced as coming back on the scene, the surprise was ruined by the “Previously on…” when they showed her. We knew she’d have a role in the episode by that, so finding her in Claire’s home was no surprise. But as far as her being unable to control her powers, can’t we just pad her in rubber or something? Seems safer than putting her in an airplane. I just think that was rather stupid. Either way, it looks like she’s either joining the army or getting her powers sucked by the big bad. I’m thinking the latter, which leads to my question at the top. How will he be stopped?

Maybe Sylar? Maybe not. What’s with Sylar and his parental issues?! He’s so back and forth it’s annoying. He’s the entire city of brotherly love, and then he throws Peter out of a window (but maybe that was a ploy and he saved him, too). But in general, I’m getting really irritated at how maleable he is. He’ll believe anything that anyone says–and then kill for it! First, he’s in line with his mother. Then Peter. Then his father. And in between, Bennett. I really can’t tell if he believes anything of what his father says. I think he saved Peter, sure, but I want to think that part of him fell for Papa Petrelli’s speech on why he wasn’t kept with his mother after birth.

Who’s side is he really on, and does he even know? Is he trying to be good? Bad? Good but pretend to be bad? Bad but pretend to be good? I’m wondering if he knows yet.

Overall, I guess we can say that this show does a good job of playing the game of Who’s Who. Who are the villians and who are the heroes–and do people even know which side they’re on? I guess it’s enough to make us keep watching.

Recap Reviews: HIMYM Season 1

HOW I MET YOUR MOTHER: Season 1

Since we sadly have no new episode of How I Met Your Mother after Stella’s disappearing act last week (darn that World Series!), I thought maybe we’d go back and do a little Recap Review of season 1.

I spent Saturday cleaning my apartment, which allowed me to toss in a DVD and let it play, let it play, let it play. And play it did. I watched all 22 episodes of season 1 of How I Met Your Mother, which makes me both slightly pathetic and impressive.

Season 1 was legen-(wait for it)-dary. Not only did it coin new phrases for pop culture like “legendary” and “suit up,” but it brought Doogie Howser back to TV! But let’s get to details.

The pilot was great. What instantly stuck out at me while I was watching was how they were able to characterize these people so quickly. Lily especially. See, I think it’s pretty easy to characterize Ted as the bachelor-turned-commitment-wanter. It is easily feasible to see Marshall as a bit of a more wimpy guy but quirky and best-friend-like. And, really, someone would normally see Barney as the challenge, since he’s so original compared to the rest of the television world. But then again, when you have that guy in mind, it’s easy to place him in the world.

But Lily. When you think of a newly engaged kindergarten teacher–especially one that’s petite–you think of someone sweet and innocent. And don’t get me wrong. I love Lily, but they certainly broke that assumption. She gets in the cab to go to the hospital and laughingly tells the cabbie how Marshall won’t even spank her in bed. Then, the next episode, we see her constantly hinting at Marshall for sex. Definitely breaking the mold.

And with all that comes hilarity. Barney’s so off the wall, and the comeraderie among all the characters is just so great and tangible. They really talk like real friends do.

And can we just pause to think of Barney in “Game Night”? When we realize that he used to be a keyboard-playing hippie. What’s better? When he SUITS UP. Did that remind anyone else of the final scene of Dr. Horrible’s Sing-Along Blog? It was mainly when he was buttoning his cuff, but there were definite similarities. Oh, Neil Patrick Harris.

The overarching plot was handled very well. The on-again-off-again Robin/Ted extravaganza was done in just enough balance. There was no Ross/Rachel feelings from Friends where in the end we just wanted to kick them. And then the juxtaposition of having Ted and Robin unite as Lily and Marshall broke up: fantastic.

Lily and Marshall’s breakup really needed to happen. They were the established, the known, the comfortable. The show had to break that or the show would be dull. It was heart-wrenching…but it was built up so slightly that when it happened, it was as much of a shock to you as it was to Marshall himself. We saw inklings in “Best Prom Ever,” but those fears were subdued when we saw Lily and Marshall dance to their song. But it wasn’t over. Then she was driving off for an interview in “Milk,” only to leave indefinitely (at the time) in the finale. Ouch.

But enough with the sad. Let’s go back to the hilarity! Things like “The Pineapple Incident”–showing an original way to tell a hilarious story, and it even left us going, “What about the pineapple?!” And then there’s Lily in the land of giants when she’s home with Marshall for Thanksgiving. Lily exclaiming to the Knights of the Poorly Constructed Round Table that she has to tell her students, who she teaches not to run with scissors, that she got run through with a broadsword! Or Barney’s obsession with laser tag. Fantastic.

Speaking of, after Barney and Robin had their night of manliness, did anyone notice how he was convincing her how they would work together well? Foreshadowing for his feelings now, maybe? Hmmm.

And hand in hand with that, remember at Thanksgiving when Lily and Marshall were discussing moving back to Minnesota, and they’re discussing how much Marshall loves New York? I guess we have heard something a little differently now.

So in the end, in this story about Ted, we find out that it really isn’t. It’s about all of that, and the first season really did a great job of exploring that within the arena of Ted’s story. We still don’t know the mom (though we did get a good scare at that strip club in “Belly Full of Turkey”), but as Future Ted told us from the start, “It’s a long story.”

Home of the free, the brave, and the gay

LIFE ON MARS: 1.03 “My Maharishi Is Bigger Than Your Maharishi”

Sorry about the delay in posting this, folks. Got a little tied up, so I had to TiVo.

I don’t know why it didn’t occur to me that this show would allow ample opportunity to contrast 1970s social practices and beliefs versus today’s. But this episode clearly made it an issue. And how.

So what do we have? A homosexual Vietnam veteran…murdered. The sad part is, the hippies hate vets and the cops hate homosexuals. How do you balance the hate crime, and why was he murdered?

In the end, it’s because his captain doesn’t want to continue their homosexual relationship once they’re back in the non-war-ridden real world, while our victim does. But before we can figure that out, the cops need to be especially put off by the prospect–first, not believing that it’s possible that an upstanding American could possibly be gay, and second, accepting it and finding it not worth their time to actually follow through on the case. Good thing our man Sam is there.

It’s actually pretty interesting to watch this episode and see how far we’ve come, definitely to the benefit of our society, I’d say. And I appreciate the show attempting to show it to us.

Unfortunately, I think maybe this episode could have been shown later in the season. Not because it’s a big topic and should be hidden, but because I felt like some of those comparisons got lost in Sam’s quest to find his younger self. I was honestly rather annoyed that he kept comparing his childhood to that of the boy whose father was killed.

Not to say I didn’t enjoy watching Sam and his journey.  I really liked that he actually convinced himself that 2008 wasn’t real–that was the figment of his imagination. Then, in a (literally) heart-pounding last 30 seconds, his entire theory falls away as he sees himself holding his father’s hand going to the Knicks playoff game. We don’t have any answers yet–and I’m glad to hear that.

I did miss seeing the scenes of 2008. His flashes to the past were a little odd. They weren’t brought about by a thing this time–a reflection, a radio, a robot. Instead, his mind just…went there. But why? When do we figure out what the stimulus is?

I mainly missed seeing Lisa Bonet. While I’m not her biggest fan, I felt like she was really drawing him out of 1973 in his flashes, but here he seemed very cemented into this year.

But what about Windy? What’s her story? Honestly, I’m starting to wonder if she’s real. After her disappearing act in the park, she just happened to appear every time he started to wonder about himself–every time his mind tried to find himself. Sure, she’s corporeal, but is she REAL.  We haven’t seen others speak to her, see her, touch her. She seems very handy to have around…when he’s alone. I really wonder if she’s another device in the show to help him find his way–or even to keep him there.

But I don’t know. It’s all speculation. What do you think?

Music on MySpace

So I know that I don’t normally discuss music on here (I’m really not a pro in that arena, which my brother will attest to heartily), but I just wanted to mention one great use of online videos: online concerts.

I was recently elated (and then disappointed) to hear that Ben Folds Five was reuniting for one night only to play their final CD, “The Unauthorized Biography of Reinhold Messner.” Being a big fan of the band, that sounded AWESOME. It was rather sad to hear that they broke up years ago, and while I’m still a fan of Ben Folds’ solo career, it’s great to see the whole band back in action.

And then I found out that it was in North Carolina. Which means, since I’m up here in Boston, there was no chance of my seeing the concert (hence the disappointment).

Until now. MySpace has posted the entire concert with interviews for all to see here. Awesome. It’s not the same as seeing a live show, but it is certainly nice to know that I can still see it. A great use of online media to show a once in a lifetime performance.

I guess TV on the World Wide Web (wow, no one refers to the Internet as that anymore) is really handy from time to time–and growing. We’re building online series; buzz is building for various movies, books, and TV shows; and now I’m able to see a rare concert that I was sure I was going to miss.

So kudos. And yay. Guess I’ll be checking that out tomorrow. And just FYI, I don’t know how long this will be posted–whether it’s permanent or not–so if you’re interested, you might want to check it out sooner rather than later. If anything, you’ll enjoy it.

[PS - Don't get me wrong. I'm sure concerts have been posted many a time, especially in song-by-song YouTube videos...but I really like Ben Folds Five, so why not promote when I can? It's still awesome to see something I was disappointed to miss.]

Don’t mess with Mrs. Landingham!

DESPERATE HOUSEWIVES: 5.05 “Mirror, Mirror”

(Note: I mention a rumor/spoiler at the end of this post. Nothing specific, but if you’re really picky about rumors regarding plot, this is your warning.)

What a big episode. We got to get a glimpse into the five years we were missing, and see the guilt and worry that’s underneath the surface of our favorite housewives.

But seeing what Dave is doing to Mrs. McCluskey almost made me cry. Just seeing them hold her back like she’s a demented woman is heartbreaking. I love that old lady–ever since her appearances as the motherly secretary in The West Wing (plus, she was in Joan of Arcadia, and that certainly can’t hurt things!). Earlier this season, when Dave stole her cat Toby, my heart just reached out to her. Now, I don’t know if I can handle it. She’s just so…huggable. Even in her cranky state.

And there she goes, off to the hospital. I’m sure she’s not off the show…I’m sure she’ll try to figure out some sort of way to warn or escape. I hope she’s not too far away from the show. I like her a lot.

And now we really know Dave’s up to something. And up to something against a man on Wisteria Lane. But who? Mike? But then again, he wasn’t living there when Dave moved in. Orson? Tom? He does want a close relationship with Tom, what with the band formation…but then again, he was very adamant about Mike joining the band. So really, it’s anyone’s game.

But then other things were revealed. Tom had a near-death experience, which explains his attitude now. Living it up with a band and regretting cleaning out the garage a few episodes back. But Lynette does have a point: She knows what he’s going through; she did survive cancer. But it’s scary to see their relationship possibly fall apart. They’re so good together…but then again, that can always lead to bad things.

Susan actually regretted her divorce with Mike and went to Jackson out of vulnerability. Now, the idea of settling down is just frightening. I don’t know how much I really like Jackson, but honestly, it’s a little presumptuous for Susan to assume that it would continue to remain just fun, especially since he’s now buiding a relationship with MJ. And her ex-husband.

As for Gaby, I’d honestly forgot about her miscarraige. Her reactions were hilarious to each of her pregnancies, and it was nice to lighten the mood.

But I think Bree had the biggest surprise. Never would I have thought that Katherine would be so supportive. I guess we’ve always seen the more angry side of her–especially now since she’s the strength behind Bree’s success. But it was nice. Beautiful, even.

Rumors are flying that more deaths will happen this season: a fire on Wisteria Lane. Now this isn’t anything new for the series. We killed off people in a tornado last season. Even in the season finale. But I fear for who will be lost. With Tom and Lynnette’s problems, I’m afraid it might be Tom. It would give Lynnette a lot of baggage. I’d say that I thought it might be Jackson, but with Gale Harold’s recent accident, it sounds like they at least planned that he’d be in later episodes.

So who will it be?

And what do you think about Dave?

News from Dollhouse–from the man himself

Our favorite Joss Whedon has posted on Whedonesque today to clear up some of those nasty rumors floating out and about about Dollhouse. Yes, yes, I know that I’ve been a part of that–spreading around questions of “Is it true?” about rumors that I’ve read and heard. But anyway, he’s quite handy with clearing up some of it without giving naughty spoilers. He says,

Yes, we’ve had to make adjustments. Yes, it’s been hard and I’ve been depressing to be around for awhile. Basically, the Network and I had different ideas about what the tone of the show would be. They bought something somewhat different than what I was selling them, which is not that uncommon in this business. Their desires were not surprising: up the stakes, make the episodes more stand-alone, stop talking about relationships and cut to the chase. Oh, and add a chase. That you can cut to. Nothing I hadn’t heard before on my other shows (apparently my learning curve has no bendy part) but frustrating as hell given our circumstances – a pilot shot, scripts written, everybody marching together/gainfully employed… and then a shutdown. Glad I was for the breathing room, but it’s hardly auspicious. So back into the writer cave I went, wondering why I put up with this when I can make literally dozens of dollars making internet movies. Why I do put up with this is divided into three parts.

One: They’re not wrong. Oh, we don’t see eye-to-eye on everything, but wanting the first episodes to be exciting and accessible is not exactly Satanic. Being Satan is, but that’s in their free time and hey, there’s no judging in the Dollhouse. This kind of back and forth has happened on every show I’ve done, so if you liked those, chances are that was a part of why. And the need to focus on the essentials of what makes this universe tick – and which wire to cut to make it stop – really does bring up our game. So we as a staff have gone from blinking like unhoused moles to delving in with the same relish we had when we started. The show is really coming together now, in a way that I believe excites us and satisfies the Network. Of course, I have no idea if anybody else will like it, but I have the same faith in the staff, the crew and the remarkable cast that I always did. More, in fact. And what’s more crucial:

Two: Nothing essential has changed about the universe. The ideas and relationships that intrigued me from the start are all there (though some have shifted, more on that), and the progression of the first thirteen eps has me massively excited. The episode we’re shooting now I wrote as fast as anything I have before, not because I had to (although, funny side-note: I had to) but because I couldn’t stop the words from coming. Because I can feel the show talking to me; delighting, scaring and occasionally even offending me. It’s alive. Alive! Which is a far cry from how I felt a month ago. It’s been hilarious trying to keep up with what’s in, what’s out, who’s met whom and when – we’ve shot all of the first seven episodes out of airing order – but it’s come together in a pretty thrilling way. My huge gratitude to our cast for their precision and patience. Which also includes…

Three: Eliza. Watching her on the monitors at two o’clock this morning I was reminded forcibly how much I wished I were in bed – but also how strong, radiant and unmistakable her presence is. She’s someone who could coast on talent and never ever does. I love to watch her work. In fact, I think I got myself into this mess for that very reason, and though I have this fall occasionally sworn never to eat lunch with an actor I like again, I’m pretty pleased and crazy proud.

So that’s kinda the gist in short. If you want to read the entire blog post, you can do so here.

This is straight from the source, though. From Joss himself, so no bickering back at me. But it’s pretty good news, don’t you think. He also includes a few details about the plot and relationships themselves, so if you have time, take it to have a good read.

In other news, I noticed that FOX is actually showing the promo now (well, technically, my boyfriend noticed and had me hurry into the room). That’s some pretty early marketing. Sadly, I only caught the last few seconds, so I don’t know what version they were showing, but I’ll go ahead and post the trailer that has been available for quite some time.

I’m pretty sure there’s a shorter one out there, but enjoy it! And visit the FOX site. Might be fun.

High School Musical 3 is out

If you know me, you know that I’m really not into the High School Musical franchise. I really find the storylines–especially in the first one–stereotypical and cliche. But anyway…

The third movie is out, and unless it comes on TV and I’m bored, or if people beg me to review it once it’s on Netflix (aka free), I won’t be seeing it. But I must say this: The trailer is highly effective.

The choreography in the movies has always impressed me, and I think they chose some great moments to feature in this promo. The car lot scene really brings about the memory of Grease to me, which is always fun (Go, Grease Lightening, go, Grease Lightening!). And honestly, the flipping of the placards just thrills me.

Though I must say, Vanessa Hudgen’s solo in the middle of the song throws me off a little. She seems a little…spiritlike. I almost would think that she died and was appearing to Troy during the game.

I’m sure she doesn’t, so people don’t freak out by that comment.

Anyway, if you did go see the movie, I don’t judge. I hope you enjoyed since you did spend the money afterall. But anyway, kudos on the promo. I especially like Troy’s basketball toss to the camera.

But what’s with that white-hooded KKK image? THAT was disturbing.

(Ohhhhh, it’s supposed to be a high school basketball thing. Sorry, missed that.)

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I just wanted to add this. Apparently, I’m not the only one to notice the similarities to Grease. Check out this post by TV Squad.

Did you like the Twilight pumpkin?

Well, here’s another. My friend carved a second one in honor of the Twilight series and movie–this time, just Edward.

How brooding. But didn’t she do well?

And in case you didn’t see the original, based off the Twilight movie poster, here’s the link. Or, check out Dr. Horrible. This one wasn’t done by my friend, but it’s still awesome.

There’s no “I” in “crime”…just “me”

THE OFFICE: 5.04 “Crime Aid”

I’m being daring and reviewing The Office this week. Why is this daring? Well, there are a lot of Office finatics out there. I’m not saying they’re bad in any respect–I thoroughly enjoy the show–but I’d hate to offend anyone! Well, except Kristin Bell fans. She’s just manly.

Fortunately, she’s not in the show.

So I haven’t been thrilled with this season thus far. It could be because I’m not thrilled with Holly. I can see why people like her, but since lately I’ve grown a little tired of Michael, it’s just a little too Double Mint gum for me. However, they were rather adorable in this episode. I still don’t understand how she doesn’t get monstrously irritated at him (like when he doesn’t actually get Bruce Springstein tickets for the auction), but they were cute.

I don’t think David Wallace particularly thinks so, and now I think we see how Holly leaves the show. He was shocked to see their kiss in the end, but after the terror that was brought about Dunder-Mifflin when Michael dated Jan, I can just imagine that she’ll be transferred quickly–to Utica perhaps? At least then she wouldn’t be completely off the table for guest appearances, eh?

Dwight was rather cute in this episode, too. We definitely got more of his stubbornness, too. I think that’s a great thing about his character–his stubbornness. He wants Angela. He WILL HAVE Angela–or will he? Seeing his interactions with Phyllis was a fresh perspective on the show, which I thoroughly enjoyed, and really, Phyllis’ analysis of Angela’s “safety net” of Andy was very…right. But in the end, has Dwight forgotten that he KILLED ANGELA’S CAT? Wait–did Angela forget that?

So let’s get to Jim and Pam. A lot of other bloggers were really ramping up Roy’s return to the episode, and really, I was a little disappointed. He didn’t say much, and his off-the-wall comment about Jim being Pam’s friend didn’t do much for me either. I just thought we’d hear more about faults in the Pam/Roy relationship–maybe something we didn’t know about Pam or something that even Jim didn’t know about Pam. Not something that could have easily been concocted by Jim anyway.

And a lot of other bloggers were saying that Pam is acting juvenile with her accidental call to Jim’s phone and staying out until 8 am. What do you guys think? To be honest, that didn’t bother me all that much. She’s still living in a dorm and getting a college experience. It’s really the first time that she can break out of the shell that she’s been living in in Scranton for so long. Maybe 8 am was a little much, but I could see her going out, having fun. It’s not that big of a stretch.

But I’m a little disappointed with the Jim/Pam storyline. I feel like a lot of the show was based on the two of them and how they’re dealing with various things. Without it, I just feel like Jim’s fading into the background. I honestly forgot the two of them had gotten engaged until Jim mentioned it to Roy (and why did he really need to, anyway?). That’s bad. I shouldn’t forget since that’s what we were waiting for for half a season! Now the show seems to be on the shoulders of Michael and Dwight, which are just becoming a little to charicaturish for my taste.

I am also disappointed that we’re not getting more from Ryan–his bitterness and spite. That was enjoyable, as well. I did like how he hid from David Wallace (imagine what he would say to Michael about THAT), but I want to see more. See if he’s got more of a Pinky and the Brain attitude about his entrapement at Dunder-Mifflin like we saw in the premiere.

Anyway, this episode did get us more on track. Much better than the watermelon labor of the last episode. So we’ll see how it goes.

Watch 30 Rock now!

Hi all!

If you haven’t heard, the premiere of 30 Rock got delayed by a week. Saaaaad. But to make it up to us, NBC has posted the premiere online a week early! Yaaay! Which means, starting yesterday, you can watch the premiere.

I haven’t see it yet, but I plan to. I’ll hold off my review until the TV-lovers watch it (so next week), but I wanted to let you know. Just plug on in to 30 Rock on NBC.com. Tina Fey is happily waiting for you.

Heroes in trouble? What does E! say?

So E!’s Kristin Dos Santos presents an interesting article (or post, really) about whether Heroes needs help or whether it’s back on track. Like with my post here, it looks like people seem to be thinking that it’s getting back on track but does Entertainment Weekly think so? Looks like there’s a lot of mixed emotions, but check out her post here.

What do you all think?

Who’s Top Dog?

Have you been noticing the new Muppet videos on YouTube and around the web? You know, with Beeker singing “Ode to Joy” or “Habanera”, or Gonzo with his classical chickens? Well, if not, here’s the latest.

Fozzie reports on the famous skateboarding dog, while a group of Muppets–including one of my favorites–stands by.

But that’s not all. Here’s a response. Poor Rowlf.

I think these are a little fun…mainly because we’re not focusing on being funny. (I love Rizzo’s little running feet.) The only painfully horrible part is Statler and Waldorf at the end. I love these little hecklers, but man, they’re butchering them now.

Sigh.

On the Fringe of Cloverfield

FRINGE: 1.06 “The Cure”

I see that the horror movie Cloverfield and Fringe have a few things in common. No, there isn’t a giant monster terrorizing the city (though I suppose that could happen sometime down the road). But there are gory death scenes. One in particular stuck on in tonight’s episode.

And I think perhaps that’s what is putting me off a bit about Fringe. I’m still seeing this show in a bit of the same wave as The X-Files, which I watched pretty regularly until David Duchovny left the show (at which point I only watched it sporatically–usually the big episodes where Scully had her baby or Mulder came back). X-Files had a lot of pretty gory stuff in it, but not in the same vein as Fringe. And really, I’m not someone who’s particularly squeamish, but ths show is touching on some sour feelings.

I guess if I’m prepared for it–knowing that I’m going to be seeing blood and gore in a horror flick, for example–is one thing. But with this show, I’m not quite as prepped. Some episodes are safer than others, like last week’s episode. But this week…the gore really put me off. Something about a headless body and blood dripping from a window. Or sticking a meat thermometer in someone’s head? (I was told it was the ear, but I turned my head away.) I don’t know, it just…uggh. It almost puts me off too much.

I know we’re in a time where we can show the more gruesome things on television. And maybe I’m just a wuss. I really like the show, and it almost makes me saddened that something like that is putting me off. I don’t know.

Meanwhile, I know that J.J. Abrams lately has been compared to Joss Whedon in his directing, writing, shows, etc. Last night’s episode really made me think, Certainly not! Now, don’t get me wrong. I’ll give J.J. some credit. He’s got a great way of conceiving shows and a great eye for detail and mystery. Definitely worthy of some kudos.

But Olivia’s speech at the end of the episode alone showed us that J.J. is no Joss. Olivia walks in the office, and Broyles just looks at her. Now, I’m sorry, but Broyles is a pretty good guy at being stoic. His expressions can mean a lot of things. So why would Olivia immediately assume she’s close to being fired and therefore need a long defending speech? Not even a strong one. One that fell flat. I’m sorry, but it did. I’m a woman, I have feelings, and I use them in my job. It’s a speech I’ve heard time and time again. The only good part was when she walked out the door and Broyles said, “Don’t think you’re getting off that easy.” It just seemed…done. Flat. Unnecessary.

I do, though, appreciate the levels that are being put in the show. We know more of Olivia’s past, and did I see a spark between Olivia and Peter? I was sure it was coming, but this is pretty soon. I really want to see more of HIS past, though, you know?

And I love Walter Bishop. The soup line was a wee bit over the top (probably because I saw it in the preview), but his cotton candy request was hilarious. And I love hearing Peter describe their lives outside the office–saying pi to the 100th power as he falls asleep, etc. He’s just great, though he seemed a little senile at the end. Almost like he was close to dementia when he asked Olivia if she lost her keys. Don’t get me wrong, I know he’s a little off base, but are we supposed to think he’s going downhill, too? It seemed too black and white considering the levels in his own character.

Anyway, I want to keep on with the show, despite the grotesqueness. I just wish they’d give us a little break, you know? Again, maybe I’m a wuss.

PS – It occurs to me that J.J. Abrams had a hand in Cloverfield. No wonder I see the similarities…

Twilight: The Pumpkin

So in conjunction with my post about the Dr. Horrible jack-o-lantern, I have another one to add to the amazing feat list. This one, though, holds dear to my heart because I actually know the carver! A friend of mine carved this pumpkin for the Twilight series.

As you know, this is a popular book series and now it’s a movie. I just find it amazing that she can put these things together–both in creating the pattern and carving it! Good job!

Do you know of any neat patterns out there? If so, send some links!

HIMYM News and Possible Spoiler: Read at your own risk

HOW I MET YOUR MOTHER NEWS.

I mean it, guys, if you’re not up for the potential spoiler (nothing definite, just speculation), you better back off now. I’m going to keep typing because otherwise you’ll just glance down and see the spoiler…aw, heck, I’ll just add spaces.

More after the break.

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Willow is pregnant! And by Willow, I mean our very own Buffy veteran Alyson Hannigan is pregnant with Buffy and Angel alum Alexis Denisof!

Now, I don’t know about you, but this is adorable. I just love this couple, and I think it’s great. Alyson’s rep told People exclusively, so we have it on good authority that it’s true. The baby is due this spring.

But what will this do with How I Met Your Mother? I’ve heard that Lily and Marshall will be making some big grownup decisions soon, and a baby was hinted at. But as we’ve learned from other shows–like Frasier and Will & Grace–a pregnant actress does not always make for a pregnant character. Will Lily and Marshall be expecting this year? Or will Lily just be carrying a lot of pillows and boxes? We will see!

Eli Stone found Serenity

ELI STONE: 2.02 “Grace”

Wouldn’t that be an interesting premise: Eli Stone on Serenity, seeing Reavers before they arrive–and then taking their cases.

Ok, it’d be a little far fetched, but we got a little closer last night. Who was our favorite little guest star? No, not Katie Holmes. GINA TORRES! In case you didn’t recognize that familiar face from Firefly and Serenity, she was there, as Eli’s opposing council. I wish they could have dressed her up a little better. She’s such a beautiful woman, but she just came off as dowdy.

Yes, yes, ok, ok, enough about my Whedon alum fanbase. Let’s focus on the REAL guest star: Katie Holmes. Now, contrary to most people, I like Katie Holmes. I liked her on Dawson’s Creek and First Daughter. She’s just cute. And just because she got caught up with Tom Cruise…well, that’s not really something I pay attention to. Plus, out of the two of them, I’d say she’s looking a bit better than her spousal counterpart. So basically, I was glad she got to be on Eli Stone. And I’m glad we’re giving Eli someone to love that’s not the annoying, moosemouth Julie Gonzalo (Maggie). That got old, and even if Eli did see a vision where they were a couple with a child, I’m resisting it as much as possible.

But what’s really intriguing about Grace’s appearance is the backstory. It’s not just Eli meets girl, Eli loses girl, Eli gets girl back (will he get girl back??). It’s more about his father. His father, who had the same visions as Eli just without the strength to handle it, saw Eli’s future. And at least at this point in time, a step by step future. He knew about Eli grabbing back the aneurysm. He knew about Eli running into Grace–even if it did mean that Nate had a hand in it.

And really, who else loves how supportive Nate is now? I love it.

I want to get my hands on that journal. And I’m sure Eli does, too, though maybe that’d be dangerous and change the path he’s to go on. Clearly it’s a good one or else his father wouldn’t write it all down to be followed.

I hope we get more flashbacks to the father figure, actually. They really intrigue me, and I enjoy how much we learn about Eli’s past and his former beliefs of sorts that are being baffled and broken because of his aneurysm. The realization that all he knew of his father was tainted by what he’s dealing with now…great.

And meanwhile, what’s happening with Jordan? Next week’s episode looks like a doozy, and I’m really excited about it (though even the promo stressed me out!). I like his attitude, but didn’t he already almost lose his partnership before? Wasn’t that the purpose of Katey Sagal’s first appearance on the show (which, I’m sorry, Katey, I loved you in 8 Simple Rules and I even own one of your CDs, but you look TERRIBLE now)? It seems like a recycled storyline, but I’m very interested in next week’s episode to see how it plays out.

Oh, and will someone just hit Taylor over the head with a tire iron? There’s nothing likable about her now. And I feel like we’ve completely mischaracterized Matt. First, he’s a jerk. Then he’s sympathetic to Taylor and very boyfriendlike. And now, he’s supposed to be both? I just want to see the jerk as the boyfriend or a complete turnaround. I’m not believing him anymore in either case.

But anyway, I hope we see more of Grace. She can’t stay in Kenya forever, right? I liked how she and Eli interacted, and honestly, if Eli continues to do stuff like bring her a dozen hot dogs instead of roses, I’m just going to fall in love with Eli myself! Adorable!

Stay tuned for next week. I will.

Peter Petrelli: Power on, power off

HEROES: 3.06 “Dying of the Light”

Is Heroes back on track? I’ve heard other bloggers say so, and to be honest, I felt like this episode had a bit of the feel of old. We had humor, villianry, feuds–even death.

So Adam Monroe be gone. I’ve heard that others could see that coming, but to me, that was surprising. Almost as surprising as someone telling us Spike will continue on Angel only to be killed on Buffy. You know, someone who shouldn’t die who does. But hey, he’s gone, and all before the title.

The rumors are that two heroes are to die. We see that Adam’s gone, and word is, Maya’s gone. Ok, so maybe I’m a little late in the game, but I just can’t quite believe that Maya is dead yet. I mean, if neighbor guy opened his eyes from cocoon, who’s to say a hero won’t–especially one who holds a lot of power in her eyes. But then again, E! is reporting that she has kicked in, so this might all be in my head. E! is also saying that a blond hero/villian is “on the chopping block”; whether this was Claire’s Russian roulet or whether it’s actually a REAL plot, I don’t know. Ooh, maybe it’s Elle.

Did you hear that? Elle. That’s right. Apparently, Kristen “Manface” Bell is coming back to Heroes. Blarg. Maybe she’ll get blown up…or electrocute herself. That’d be nice. Anyway, she annoyed me when she was on it, and Manface is continuously typecast for sarcastic, quippy (aka, bitchy) comments, and honestly, I don’t wanna see her. There are so many characters already. Can’t we keep it as it is?

Moving on, the episode was enjoyable. I see we have two major big bads: Papa Petrelli and Mohinder. Mohinder has always gotten on my last nerve, so I am glad we’ve finally given him something to work with, but what I don’t understand now is why he’s letting people know his secret. Sure, his previous captures are being used for his insect side, but what was Tracy and Nathan for? Just because? And Daphne…not that he could catch her, but he is pretty open about his new side.

Petrelli is definitely of more interest to me. Not just because he sucked Adam dry, but because he’s legitimately frightening. He has all of Peter’s powers now, which is definitely intriguing. Now, for someone as strong-willed as Peter, having all those powers was hard to handle–but he was learning how to do it. Will Papa struggle or will he be in utter control? I don’t think I like that he has the can opener power… Granted, why would he need it if he can strip away powers by touch–other than just to be cruel.

But what’s his point? He’s building an army…but for what purpose? Poor Daphne. Stuck in all this. Oh, and can I say how much I’m loving Matt with his tortoise (in a cage) and the Matt/Daphne relationship? Daphne is majorly one of my favorite characters now. Love her.

Oh, and in case you didn’t notice, ANDO’S ALIVE! Yep, Hiro wouldn’t do that. And now they’re in Africa trying to get another hero who can draw the future (how much did I love Hiro saying “like Mr. Isaac!”). I loved this scene. The drawings were hilarious, and the shoveling was hilarious, too. Loved it.

But let’s go back to Peter. I honestly feel bad for him. Of all people in the first season, Peter was the first to embrace his powers–to really find a goodness and meaning in them. And now, they’re gone. Will he get them back, do you think? Will he have a role in this show anymore? I’m glad we’re giving him something new to deal with (that doesn’t involve Ireland), but honestly, I feel bad for him. And by his own daddy.

This week, it sucks to be Ted

KT here again, folks, for another exciting episode…

HOW I MET YOUR MOTHER: 4.05 “Shelter Island”

The plot moves forward, and the wheel keeps turning.

Sure enough, Stella isn’t the mother. We don’t have to explain why a college-age Lucy isn’t sitting on that couch – or why the kids haven’t already recognized Stella as their mom. And the yellow umbrella story has yet to unfold.

It seemed to me that Stella’s ex kinda came out of nowhere this week, but perhaps it’s like Stella herself said: that maybe that spark will just come back under the right circumstances. And goodness knows we’ve been getting enough hints that Ted and Stella really aren’t as perfect a match as we might hope for. I do think they did a decent job on Tony, though. He was written to be kooky, but he certainly wasn’t a villain, and Jason Jones (of The Daily Show) was a good fit for the role.

Poor Ted gets put in the awkward place. Do you get whiplash from deciding on and then calling off a wedding in less than a week? I cringed when he agreed to tell Robin that she couldn’t come – because face it, Robin’s part of the gang and a close friend, and she has to be there. I cringed when he caved and invited Tony – but don’t tell me you didn’t see it coming. I cringed when he insisted he should talk to Robin when she arrived, but none of those decisions were crazy-stupid. Wise, they certainly were not, but each small step made sense in its context.

So goodbye, Stella… I assume. I hope things work out for her. I liked the way Sarah Chalke was able to put enough wistfulness into her earlier scenes that we can believe her affection for Tony might easily bubble back to the surface.

I will miss Stella and Lucy a little, but I’ll be just fine if we never see Stella’s sister again. She was funny, but was a little off-putting because she was written as a series of jokes (the idea-stealing sister, the crusading vegan, the girl who lets her partner dictate her lifestyle, the slut who won’t accept a refusal). Not really enough substance there for a recurring character. Still, it’s always good fun to see someone more sexually aggressive than Barney. Speaking of whom…

Barney’s place in this show is often tangential to the main action. I don’t mean that as a slight – it’s a good place for him and he often shines there. But he doesn’t often get tangents that deepen his character (which is usually saved for the occasional Barney-centric episode). Not a lot deeper, mind you, and not really anything we didn’t see him tell Lily in 4.01. But we don’t often see him vulnerable the way we do here, and – just every once in a while – it’s nice to see that. It keeps him human.

Also, the Beautiful Mind-type business with sparkly purple CGI was awesome and it made me laugh. Plus – points for continuity – I loved the look on Barney’s face at the end when he realized that he had gotten another shot at riding the tricycle. I am completely comfortable with the juxtaposition of business-as-usual womanizer Barney and the new, fascinating, I-think-I’m-in-love-with-Robin Barney.

Also brilliant: Robin reading real, serious news with her marshmallow-throwing co-anchor. And oh, did she try to be brave and cheerful, but by the way she overdid it, you could tell she was hurting inside.

Lily and Marshall didn’t have much to do this week, so I’m going to go out on a limb and predict that next week we’re going to see them move into their new place. I think we will also see Robin move into their old room, and – at least temporarily – great awkwardness will ensue between Ted and Robin. I do hope Robin doesn’t wind up back at Metro News 1. Begging for her job back once was bad enough, and the second time she quit was a strong moment for her. So possibly a period of unemployment may be an added incentive for her to move in with Ted instead of trying to get her own place.

War of the roses

ONE TREE HILL: 6.07 “Messin’ with the Kid”

One Tree Hill was pretty tame tonight. It was a plot-mover. Nothing huge, nothing bad. I can’t say how much I love that Mouth’s high school ex is back. Nor am I too thrilled that Owen’s back.

It’s not that I don’t like the characters. I’m just a big believer that you don’t necessarily need to recycle or keep your characters in such a small close-knit circle. In worst-case scenarios, it comes out like The Secret Life of the American Teenagers when characters and plotlines run around in circles with the exception of large incredible dramatic moments. I don’t think OTH is all that bad–but then Nanny Carrie made it for two whole seasons before her gory death.

I guess what I just wish they would realize is that a lot can happen with guest stars. If we’re to give Mouth a hot intern, give him a new person! I still think that Millicent and Gigi look a bit too alike, so I’d like to see some variety.

The thing is, with some recurring characters, I hesitate until I see where they’re going. When I saw druggy Rachel return last season, I really was downtrodden. I figured, how can she REALLY fit into this series now? But then we see that it was really only one (or two?) episodes. It was fine.

But it doesn’t look like Gigi or Owen are only going to be around for a short while. I like a brief backtrack in time, but especially with Owen, we’re going back to last season. We did this…with Carrie. I need something new, fresh.

But anyway, that’s my own rant. I like where the series is going, though. I appreciated the mad humor with Peyton and Lucas, and Jamie’s just cute (though the fights were a little too much like Susan and Gabrielle in Desperate Housewives, and I don’t know if the last scene with Dan was really necessary–if anything, that might make things worse). And Sam’s growing on me, especially with her quip about 7 am breakfast, even if she is still sleeping in a car.

But I felt like we were going back to the start in a way. True, we didn’t have the opening monolog, but the song montage in the end was rather nice–even if Hayley was wearing hippie clothes (completely out of character). Anyway, it was a nice episode, and I don’t need more high drama after Q’s death and Nanny Carrie.

But we did say bye to the cape. It was cute. But it looks like Jamie might just be growing up…and he’s doing it so fast!

Come on back in, Dollhouse. We love you.

Dollhouse out of the doghouse. Apparently, KT, you were right (see my previous post with comments here). These articles and interviews we’ve been reading with Amy Acker are true and up to date.

TV Squad has come to post that Dollhouse is back on track:

Another show that a lot of people are looking forward to is Dollhouse, the new FOX show from Joss Whedon. Fans freaked a bit last month when the show’s production shut down. But it was only for two weeks, and now Amy Acker explains what happened and why there’s nothing to worry about (to summarize, Whedon shut down production so he could change the fourth episode a bit and catch up on scripts).

The show will arrive on your TV set and computer midseason. Now I guess the only questions are how long FOX will stick with it and whether or not viewers are ready for yet another show with heroes and a secret organization and a continuing story arc.

I realized why the show shut down and why production stopped. The question was really how they’re fitting Dollhouse, Sarah Connor, and 24 all in a two-hour timeslot Monday night.

Either way, right now we’re back in the good place after our scare. Perhaps this teaches us that you can never believe what you read–but you should just be more careful about what you post…TV Squad.

Recap Reviews: Prom Queen

PROM QUEEN: Episodes 1-14

So, I’m starting a new thing from time to time that’s called “Recap Reviews.” I’ll take older shows and just post my thoughts. I’ll basically reintroduce shows to people who have never seen it and then just bring back fond memories to those who have. This will especially be fun when I hit some of my favorites like Buffy, but right now, since I’m falling along with Sorority Forever, let’s go to another online series of the past.

So Prom Queen. Here’s my history with the show: I started watching it when I found out that one of the actors on it was someone that I knew. So I watched…I don’t know. Maybe the first half, but then other things got in the way and I caught an episode here and there and missed the rest. So it’s kinda nice to go back and refresh myself with the storyline and everything.

I’m not sure if it’s because I’m comparing it to Sorority Forever–it very well could be–but it’s decent. Like I mentioned in my previous post about Sorority Forever, the key to this show is that every episode has some twist in it that makes you go, “Hmmmm.” Really, from the beginning episode, you realize that something’s going on, but you’re really not given any clues as to what it is. From episode 1, you see that Danica has some sort of strange secret–involving pills. Episode 2, someone’s telling a character to kill the prom queen. Then, you have humor mixed with some suspense, so it works.

Now, don’t get me wrong. I see some errors with the show as well. First, I don’t care about all the sexuality in the show. I don’t know if it’s because someone thought no one would watch it without sex, but I just don’t care.

Second, too many people look alike. I can’t tell who most people are. Too many girls are blonds and too many guys have dark hair. Switch it up. Change it around!

Honestly, I haven’t really rewatched enough of it to say much more about the show, but I’ll keep trekkin’. Feel free to follow along. You can watch it on TheWB.com or promqueen.tv. If you’re really excited, purchase the DVD.

Anyway, I’ll try to update this as often as possible. I have a lot of live shows that I’m watching, too, so I’ll have a bit of a juggling act, but if you all are interested, I’ll keep it going.

Sorority Forever finds its plot!

SORORITY FOREVER: Episodes 16-30

So I thought I was watching Sorority Forever in ten-episode increments, but I guess I was actually watching it in fifteen-episode increments, which means I’ve finished up episode 30, and I’m caught up with the rest of the world.

And guess what. By the end of last week, Sorority Forever found its plot. We’re finally to the point where I might be interested in where it’s going. We realize the mystery–or at least why Julie would have an interest in it. And now we might want even want to know what’s going on.

Now, I don’t know what the mystery is, but right now, the general premise seems like something we’ve seen before–in Buffy’s “Reptile Boy” (a secret society looking for power through sacrifice–this time of girls and not their own kind) and ABC Family channel’s TV movie The Initiation of Sarah (a girl destined to be part of a sorority with a black past and again, sacrifice–this time with witches). In fact, the discussion of how she should infiltrate the sorority and find out the inner workings…that honestly reminded me of a lame attempt to copy Samurai Girl. I know there have been many other Lifetime movies and even NBC TV movies of the 1990s that carry the same secretive sorority sacrifice premise.

So I really hope some unique details and things will come into play for this show. I actually find it a wee bit interesting, but honestly, and this is saying a lot, it’s not up to the standard of Prom Queen. (See my recap review.) Prom Queen supplied a twist in every episode, but here, we have a lot of plot resting on sinister expressions. In fact, I’m pretty sure that’s all Bridget is there for.

And, out of curiosity, where did Rachel come from? Maybe those of you who have been following the related blogs and MySpace pages can let me know, but it just seems like all of a sudden she became a large part of the picture. Which I liked…at first.

Honestly, the “Girl on Girl” episode was a bit much. It kinda looked like we have a series that takes place in college and we need to do something risque that’s not the typical high school sex scenes we did in Prom Queen.

Anyway, in the end, I’m just glad we’ve fully reached a plot. Natalie in South America…more focus on the sacrifice… Now, to me it looked like that was Madison’s necklace in the place of sacrifice–the one that she’s missing. However, Bridget seems to be talking to her like she’s the next one in line, which could easily be a trick to set her up to be trusting, or we’re supposed to assume that she IS in line and won’t be the sacrifice. The general conclusion from the beginning of the series is that it will be Julie…but then why wouldn’t some clue of hers be in the spot. Unless that was left over…

So what do you all think? Besides the general Sorority Forever commentary, I am glad to see that TheWB.com is growing. We now have Jack and Bobby, Firefly, and even Prom Queen and Summer Heat available, just to name a few. (And hey, it’s good to know that Firefly is alive somewhere.) I also noticed some crossover between Sorority Forever and A Boy Wearing Makeup. To be honest, that’s not my kind of show, but it is neat that there’s cross-promotion.

Dollhouse in the doghouse

BEFORE READING, SEE AND UPDATE HERE.

Well, ladies and gentlemen, it looks like we might not be seeing Dollhouse for the midseason. According to TV Squad, it looks like we might not be seeing it until next fall. I’ve heard a lot of stories about Dollhouse stopping and starting production, as well as rewriting and reworking scripts, but in the end, it still seemed to be on track. Now, though, it’s not?

I’m heartbroken. I am really looking forward to this show, as well as a lot of other Whedonites out there. And honestly, I’m really not sure if this is the fault of the show or FOX. We all know that FOX doesn’t treat new shows well (think back to Firefly, Drive, and Wonderfalls).

I do know this, though: FOX has picked up the full season of Terminator: Sarah Connor Chronicles. As TV Squad tell us, this will take the place of the Dollhouse/24 Monday night lineup. So is the reason we won’t see Dollhouse because of the production of the show or because we want Sarah Connor?

Now, I hate to pick between my Joss Whedon alums–I love me some Summer Glau–but Sarah Connor just has no interest for me. I watched the first few episodes of the series, and they all seemed to be the same blow-’em-up shows, and I wasn’t too interested in the plot. Plus, the ratings are tanking! Why keep it on. I’d rather see Eliza Dushku and Amy Acker in Dollhouse with an original storyline.

So which came first, the chicken or the egg? Did Dollhouse blow it or do people just really love Sarah Connor? Are the rumors of a delay true? Can they just air Dollhouse on a different night? Were they expecting Sarah Connor to tank for Dollhouse to exist, and with popularity came a downer for the exciting new show?

I don’t know. I’ll investigate, but I’ll also say this: I’m bummed.

I don’t think Ando’s dead

HEROES: 3.05 “Angels and Monsters”

So I watched Heroes. I’m completely lost. Well, not completely. I could generally follow the storyline of that episode, but I don’t know why Sylar is good, I don’t know why Mohinder is putting people in cocoons, and I don’t know whey Nathan is suddenly narrating. Most of all, I don’t know the storylines with Adam Monroe (last time I saw him, he was in ancient Japan) or Daphne.

But that’s ok. You do what you do.

But back to the question at hand, I don’t think Ando’s dead. I found it both heartwarming and boring to see that Hiro and Ando still discuss what makes a hero and if they’re said heroes. Hiro still wants to be a hero…still does. But anyway, even though I haven’t seen it since mid-last season, I can’t imagine that Hiro would really turn on Ando so quickly and just kill him. I think he must have had some sort of plan–a plan where he rewinds time or goes back in time or stops Ando’s heart for the stabbing (ok, that can’t happen if he bled). But based on Hiro’s expression and how quickly he decided to go for the stabbing, I just don’t think it’s true. Ando’s still alive, people. That’s just how it is.

And by the way, that was a very anticlimactic scene. It was almost humorous, with everyone saying “Kill Ando?” at the same time, and then BAM! It was done. Hmmm.

In other news, Claire has grown up. Look at her. She doesn’t even have curly hair anymore and it falls on both shoulders, not just one. Neato.

But will someone fill me in on Mohinder? I know that at least two of our heroes are going to kick it in the coming weeks and since he’s a hero, that means he’s in the running. Now, if you know me at all, you know I’d love for him to be the next one with a split skull, but right now, I’m just wondering what’s going on. Seriously. He’s…feeding off people…in cocoons…? Including Maya, who for some reason when knowing he’s evil and going to kill her, she still let’s him off with no black bloody eyes? Hmm.

And I’m not sure what I think about Nathan’s newfound goodness. By they way, does he seem cleaner than usual? What’s different about him? And speaking of this story line, this seemed a little too much like Fringe to me. As in, all of these people might not have natural capabilities, but they’re all scientific experiments gone wrong? Did Walter Bishop have a hand in this? (Oooh, can we see a crossover–I think not.) But maybe someone can clarify this for me: Were only a handful of people experiments or all the heroes? Did some actually get the hero gene genetically? Or do we have yet to see this answer?

I wouldn’t necessarily say that this episode has made me want to continue watching, but it’s definitely not as bad as I thought it’d be. Maybe I’ll keep going with it (TiVo it and see if I have time…it is on during One Tree Hill, after all). See if I have time.

But I’d like to hear other people’s opinions on this episode. Do you think Ando’s dead? Moreover, who is evil and who is good in your opinion? Charts are welcome.

The super-obnoxious life of the American teenager

So. As I said in my update post, people seem to be interested in this show, when, they shouldn’t be. And of course, the show I mean is The Secret Life of the American Teenager. I believe in my original review of the pilot, I said that I would continue to watch the show so that I could post another review…you know, see if anything has changed.

It. Didn’t.

Man, this was a horrible show, and I think I base the entire “hit” status of the show on the fact that it was summer and the only other shows on were reruns of Deal or No Deal. I’m going to be honest. I’d rather rewatch the 60th anniversary show of the Emmy’s than Secret Life any day of the week. At least the Emmy’s had good hair.

But first. Let’s recap. Here is the cast of characters:

Pregnant Teen, otherwise known as Amy: Actually, the only person in the show who had the capabilities to act beyond John Schneider and Molly Ringwald but of course, didn’t get any sort of opportunity. Her storylines were reasonable; her hair was atrocious. Someone attack her bangs with scissors.

Boyfriend of Pregnant Teen, otherwise known as Ben: Pathetic, formerly pathetic-yet-skeezy boyfriend to Amy who only started dating said girl because he wanted to get laid. Now he realized that all he wants is love and whines like a puppy the entire series. Awesome.

Religious Girl, otherwise known as Grace: Along with the originality of her name came an original character–a cardboard cutout that’s half cheerleader, half moronic angel. Grace is the only blond on the show, symbolically showing her innocence–or what we would call naivety. Not only is Grace, oh, such a good person, but she has one eensy storyline that drags through the entire season.

Knocker-upper, otherwise known as Ricky: The boy who knocked up Amy. Who sleeps with slut girl. And dates Amy’s best friend. And wants to sleep with Grace. But pretends to have feelings for Grace. But doesn’t. Or does he? Who knows? But he’s super obnoxious and no one likes him. Yet everyone does. Seriously, this is the depth around Ricky. Lots of people changing their minds–and clothes, after he uses them. But don’t worry. It’s not because he’s a bad guy…it’s all related to his past, according to his therapist.

Long-haired semi-religious boy, aka Brad from Home Improvement–I mean Jack!: This guy has the easiest role on the series. Seriously. He has the same lines that just cycle around and around over and over. He wants Grace, he wants slut. He’s apologetic, he’s mad! He doesn’t have to memorize much. (But seriously, while I know it’s not the same actor, is there a reason we’ve made this character look EXACTLY like Brad from Home Improvement, circa 1994?)

The slut, otherwise known as…wait–does she have a name?: She sleeps around and has issues with her parents. Hmmm, shouldn’t she be in college with that storyline?

Best friend number 1, the redhead: Ok, I don’t know her plot, but I know she’s annoying, so I tend to ignore her.

Best friend number 2, the non-redhead: Amy’s other best friend who’s not anymore because her parents won’t let her and has a nice brother. Oh, and she dates Ricky, because EVERYONE tends to date the person who knocked up your best friend. That always happens. Always.

Korean best friend number 1, the boy: Ben’s best friend who just talks through everything with him. EVERYTHING.

Korean best friend number 2, the girl: Actually sometimes has funny things to add, but isn’t in the show all the much to matter.

Parents: Oh, this is its own series, I swear. Move them over to the new 90210, will you? I think that show might need more drama.

Sadly, my descriptions don’t even include all the storylines that this show has in one season. I think they stuck the entire series of Dallas in a three-month show. All we need is a who-shot-JR moment. Maybe they’ll kill off Amy’s dad. He’s sufficiently annoying and one-dimensional. Nevermind, they can’t kill him off. He fits in too well.

Ok, enough of my cattiness. Let’s get to the root of the problem. That being, we have TOO MANY CHARACTERS! This happened with 7th Heaven, too. We got so many people involved in the show that there was no time to delve into any problems and no one cared about any of the characters anymore. Plus, if you try to focus on only one storyline with all these people, fans complain because others aren’t doing anything (which is funny since that’s true to life–people don’t ALWAYS have life-ending drama going on). Since we have to have everyone juggling crap, we’re using up all possible plotlines in three episodes and then we go to the outrageous! Just cut down some characters. Keep it down to, like, five, and make the rest recurring. Or just hire guest stars. Why does Grace have to only choose between Ricky and Brad from Home Improvement–I mean Jack. There are tons of other people at this school. Try one of them.

Hey, Best Friends 1 and 2 could follow this same strategy. Then, maybe it’d be realistic!

And why must EVERYONE be related? Amy’s Dad used to be married to Grace’s mom. Grace’s dad is partners with Amy’s doctor. Amy’s Dad is sleeping with slut’s mom. Oh, and Ben wants to marry Amy, and Ben’s dad is totally for it! And we all live happily ever after.

None of this is REALISTIC! Unless you’re in a tiny tiny tiny town, but even in those, divorce generally isn’t prominent, there wouldn’t be as many people at the school, and most likely, you’re living by yourself in your 400-acre farm in the middle of Montana: population 1. (Sorry, people from Montana. I don’t mean to insult you, just the show. After all, you are home to the white-footed ferret, and I love those little guys. )

And no one talks that much about sex. I had the great opportunity to watch this show with people who had never seen it before. Every five minutes, they’d look up and go, is this all they talk about? It was the finale. Every scene someone mentioned sex. And not euphemisms. They actually mentioned the word “sex.” Maybe they can up the ante next season and say “sexual intercourse” every time they mention it.

Oy. Next season.

Anyway, I could write more, but I’d just get cattier. Just here’s what I think should be done if the show continues.

1. Fewer characters.

2. Fewer storylines–focus on only a few at a time…for the ENTIRE season, not every episode.

3. More realistic situations.

4. Get everyone disassociated with each other. They’re interconnected because they’re at the same school. Lose the other stuff.

5. Stop TALKING. Do something!

6. Change the theme song. (Sorry, I just hate the theme song.)

Dance with me

LIFE ON MARS: 1.02 “The Real Adventures of the Unreal Sam Tyler”

I haven’t seen the British version of Life on Mars. Let me just say that to start, so if any of you are fans of the British version, sorry. I have no comparison point.

Anyway, I like this show. Beyond the kickass music, it’s just interesting. I was truly intrigued with the first episode, and even in tonight’s episode, I’m loving watching him trying to figure out what’s going on. The best part of each episode (to me) is seeing these flashbacks: what’s bringing them about, what’s happening in them, what the link is between all of them. There’s something there. And I hope they give us a few hints along the way so we can all have our suspicions. It’s still early in the series, so I guess we can’t tell yet where the show will lead. Will he ever accept his new life?

Speaking of acceptance, I like that in this episode, we’ve introduced a friend, his neighbor. It really ends up giving us the idea that he could be happy here, what with the dancing at the end. So what will happen? Will he eventually need to choose–now or then? I have a suspicion that he’ll eventually find a few feelings for either neighbor-girl or police-officer-girl, and then maybe find a way home or at least find himself closer. But that won’t be until later in the season.

I love his list. I want to add to it and make notes. What is the reason that he’s here? I was originally leaning on coma, but this episode makes me wonder…

As for the plot itself, it’s more corrupt cops, and even the internal affairs people who are supposed to help Sam with the corruption are even backhanded. Even our pathetic wide-eyed girl, June, is corrupt. Because of all this, I just feel like this entire show should be taking place in Chicago. I can’t express why, but I just feel that way.

The best part of this episode, though, was the fight in the hospital room. It was hilarious, and I love that even after a “heart to heart” so to speak, they end up in a headlock. Fantastic. Great intermixing of the drama and slight humor. And music. I love the music.

So what do you all think? Why is he there? Will he make it home? Will he settle in or keep trying to find a way home again?

And what will he do if he stops hearing Maya’s voice?

Fringe: How Powerful

FRINGE: 1.05 “Power Hungry”

So I was excited with this week’s episode of Fringe. It finally seemed like we were back on track with the pilot. For those of you who haven’t met me in person to hear my thoughts, I really like the show. The pilot was especially good, giving us twists and turns and leaving us on the edge of our seat throughout. What I especially liked was the strength in Olivia, who was truly fighting for something she cared about and showing a lot of depth.

Unfortunately, the next few episodes were a little lacking in my opinion. Olivia seemed to dwindle. Where was her strength and unique qualities that really made us want to watch her journey? We saw some great relationships building and developing with Peter and Walter (I’m especially intrigued by the character introduced in “The Arrival”–the bald man with no eyebrows), but I felt bored with Olivia, who is really the main character.

But this week, we’re back on track. I’m not sure if it was because we brought back John Scott, and it brought back some feelings that were way way WAY below the surface. But I was intrigued. How was she seeing him? How was she dealing? She has a purpose again.

Plus, her interaction with Walter in the end was just…creative! Her experience in the water bath (of sorts) connects them. Now, some other bloggers have been asking, if she has his memories, why can’t he just tell her everything he knows? Well, if part of his conscience lives in her and he’s kept these secrets for so long, wouldn’t his conscience not want her to know everything yet? Or, more so, she only has SOME of his memories, not all. There are still missing pieces.

But the real question is whether Walter’s right. Most of what he says seems to be true, but what if the corporation is actually bringing this about somehow. Afterall, haven’t we discovered that Olivia’s boss is part of it–or at least speaking with them sometime? It wouldn’t surprise me if (and this might be a little X-File-ish) they somehow have a way of stepping into Olivia’s mind–maybe even with a chip of some sort. We all see what can be done with magnetism or energy waves. There’s much to think about–and much to see!

As for the plot of this episode itself, it was decent. It’s not the most original, though I like how they approached it. The one part that I really didn’t like was how Joseph Meegar killed his mother. It was a little too Sylar on Heroes, when he has a good heart (or in Sylar’s case, a chance for redemption) but all turns sour with the accidental death of his mother.

But the science of it was fantastic. I think that’s what I like most about this show, that there’s a bit of a scientific background in each of these strange occurences. True, a lot is still not possible today, but there’s a mathematical and scientific basis in the plots. The nerd in me loves it.

Anyway, I hope that we continue to see Olivia develop. If anything, at least we have Walter pushing the humor in the show. We’ve got some good characters around, so it looks good on paper! Keep up the originality and keep up the strength in Olivia!

Site Update: Upcoming Posts

Hi all,

I’ve been looking more at my stats to see what people are interested in and what people are reading about, so I thought I’d just put up a quick post letting you know my plan for the rest of the week. Hopefully this will keep some of you checking back (or adding me onto your RSS feed–link at the bottom right), and for those of you who don’t care about these shows, you’ll just have to miss amazing puns like this one.

Ando’s life hangs in the valance.

Is it curtains for Ando on Heroes? I still need to watch this Monday’s episode and post my thoughts. I love me some Ando, so I certainly hope he’s not dead, but since I have no idea what’s going on, I still need to check it out. I’m hoping I’ll get to this by Friday night.

Bring me back to the good ol’ days…when the cops would beat me up.

Life on Mars is having its second episode tonight, so afterward I hope to bring us up to speed on my thoughts. I enjoyed the first episode, but I’m really wondering where it will go from here.

Electricity is the power.

I still need to post about this Tuesday’s episode of Fringe, which I thoroughly enjoyed. I actually haven’t posted on this show at all yet, and I should because I have definite thoughts. I’ll try to draw on a few episodes, even if I’m mainly reviewing this week’s. My goal is to write about that today, either after this post or tonight.

Rush-ing to catch up.

I watched Sidney White last night, the movie starring Amanda Bynes, and I realized I have some catchup work to do on Sorority Forever. I’m trying to catch these ten episodes at a time, and I know I’ve caught the first fifteen, so I owe you guys at least another post at the end of this week. This is another Friday job, so you’ll have to wait on it.

Middle-schoolers hate me.

So after its pilot, I tore up The Secret Life of the American Teenager. For some reason, this show is a “hit,” and people are still searching for it even though the season is over. I did see most of the season, and I have more thoughts, after my initial reaction, so I’m going to post again. Feel free to attack. That’ll be today or tomorrow. Let me just gather my thoughts.

And a recap.

With the interest in Sorority Forever, I’m serious about going back to Prom Queen and Summer Heat. I’ll start rewatching and/or watching these on Friday, though I’ll post on just a few episodes at a time. You can watch along with me here, or just get your hands on the DVD here.

…

So yes, that’s the plan. If you have particular shows you want me to add on in the next couple days or particular issues about these shows, please let me know! It’s going to be busy, but eh, what can you do?

More Puppet News

If you want a little more info on the new Henson Co. puppet project The Happytime Murders, it looks like a lot more descriptions are up and around the internet (some even relating the movie to Angel’s “Smile Time,” though that might be pushing the envelope a little bit). Here’s some news that was posted on Whedon.info:

I think we can all thank Jason Segel and his Dracula puppet musical for this startling and exciting turn of events from The Jim Henson Co. According to The Hollywood Reporter, they’ve picked up a spec script that will bring puppets into the mature world of film noir in “The Happytime Murders.”

Yes, you read that right. Jim Henson Co. puppets are going noir, and I for one couldn’t be happier.

Written by Todd Berger and Dee Austin Robertson, “Happytime” takes place in a world where humans and puppets co-exist. But in this world, being made of felt and possessing a set of googly-eyes makes you a second-class citizen. Things turn ugly when, one by one, the puppet cast of television’s “The Happytime Gang” begin turning up dead. It falls to a disgraced LAPD detective-turned-private-eye puppet to take on the case — and yes, in noir fashion, he has personal demons and a drinking problem to overcome.

Obviously, the movie is not intended for children, and aims to be a dark comedy, borrowing liberally from movies like “L.A. Confidential” and “Pulp Fiction.” I suspect it was also inspired by “Who Framed Roger Rabbit” and, maybe, just maybe, that infamous puppet episode of Joss Whedon’s “Angel.”

And I still wouldn’t be surprised if Segel’s puppet renaissance sparked the Henson Co. to look at getting a little edgier. It’s not entirely new ground for them — Henson always pushed the mature envelope in the original Muppet movies, and scared an entire generation with “The Dark Crystal.” The Henson Co. has been asleep for so long, I really hope this new project is a sign they’re still alive, and ready to entertain us again. But hey, if all I get is one Henson-style puppet movie that mashes together all my hard-boiled favorites, than I can die happy.

Segel, for his part, is hard at work scripting a new Muppets movie for Disney.

If you haven’t seen Forgetting Sarah Marshall, you probably don’t know the Dracula puppet musical, but it’s hilarious. This article does mention Angel, but not to the same degree as others (no wonder it’s on a Joss Whedon affiliated website). Anyway, I’m getting excited.

Sadly, details are still limited. I doubt it’s Indie, but I can’t tell for sure. I don’t remember the specifics of what Disney owns. Does Disney own just the Muppets or all Henson? If it’s all Henson, probably not an indie release, but I don’t want to say anything for sure (it’s all speculation on my part). I also can’t find any release dates. I’m excited but a wee bit frightened…should I get my hopes up after previous films?

I do want to clarify one thing: From what I can tell, this is not a Muppet project. It’s a Puppet project done by the Henson Company. Don’t think Kermit gets killed people. This is new and NOT Muppets.

Breaking News: Bringing back the Muppets I knew?

Maybe not the Muppets themselves, but Henson is going in that direction. According to Muppet Newsflash,

The Jim Henson Company has announced the development of a new film project called “The Happytime Murders“. The original film noir murder mystery will fall under the company’s Henson Alternative banner, a division that develops projects not intended for children (such as Puppet Up! and Tinseltown). Based on a story Dee Austin Robertson and Todd Berger, the original feature film will take place in a world where humans and puppets co-exist – although in this society puppets are viewed as a second-class citizens. When the puppet cast of “The Happytime Gang”, a popular ’80s children’s TV show, begin to dropping like flies, a disgraced puppet LAPD detective turned private eye takes on the case. Todd Berger has penned the screenplay and Brian Henson is said to be on board to direct. I will be sure to keep you updated as soon as more information on this film becomes available.

They’re calling it Adult Puppet Noir, and I can’t tell you how excited I am. It looks like this might actually bring us back to some sort of actual REAL entertaining content from Henson. Saying that they’ll not be aiming this toward any children at all gets my attention. I mean, did any of you see Puppet Up!? Very funny.

Anyway, at least some part of Henson is on the case. I still am putting a lot of eggs in a basket for Jason Segel and the Muppets themselves, but this certainly helps.

(See an updated post here: More Puppet News)

Books flop with bad covers–that’s a mouthful

ONE TREE HILL: 6.06 “Choosing My Own Way of Life”

Lucas proved it. When you give someone a bad cover, the book won’t sell. Even though it wasn’t mentioned specifically, I’m pretty sure the reason his book tanked in Omaha clearly had to do with the terrible Dan Brown-like book cover they gave to his metaphoric love story. No wonder everyone thought it was sci fi! You gave it a sci fi cover! Blarg.

But man, it was funny to see him signing a Gossip Girl book. Classic (despite The CW’s subtle self-promotion.)

But we got to see Mouth again, and that warmed my heart. True, his fame outshined Lucas’ (by the way, was it just me, or was that Mills Allison of Prom Queen fame who leaped up to have his picture with Mouth in the bookstore?), but I’m very happy to have him on the series again. He’s one of those presences that you never really noticed, but he had a pretty big impact in previous seasons. Now, as thrilled as I am that he’s back, I get a little put off by our 20-somethings that seem to think you can jump from job to job with no repercussions. While I realize that he might actually make a career in Tree Hill now that he was so popular in Omaha, I just can’t imagine he’d leave it for his friends. Millicent, maybe, but I always felt her presence in Tree Hill was temporary. I guess not.

Speaking of Millicent, I love her. I think she’s rising up as a shining star in the series. To be honest, I thought she was rather, well, plain when she was first introduced, but all of the interactions with Millicent and Brooke now have changed my mind. This episode almost brought tears to my eyes with all the good feeling between the two of them, and for that, yay Millicent.

Speaking of Brooke, she finally came clean with Peyton about the attack. I don’t know about you, but I wish I could have seen that. At least part of it, to see Peyton’s reaction. It seemed very…flatlined. And as for Sam (is that her name?), I’m not actually believing this storyline much (nor caring), so can we find something else to watch in Tree Hill? Isn’t there basketball or something?

(Oh wait, nope. If we recall, they’re playing with four now and have probably been disqualified from every game.)

But hey, at least Nathan’s playing Slamball. But why is Owen there? (Oh, and no one’s ACTUALLY seeing good things come from Nathan’s new plan, right? Who sees hurt back in his future?)

Beyond that, pretty fair episode. Dan’s reliving his past mistakes–including murder and divorce–which is ok, I guess. I like that Nathan gave him hell, but we’ve seen that a lot. I think we might be running out of storylines for Dan. And shouldn’t he be getting a heart transplant soon? He is at the top of the list, after all. Which means, maybe we can continue on in our tradition of almost killing him off at the end of every season–but what can we do with him until then?!

Nate–er, I mean–Eli Stone

ELI STONE: 2.01 “The Path”

I think the show I’ve been most excited about premiering again is Eli Stone. And boy did it start off with a bang…or, well, a tumble.

We start with Eli in a court-ordered psychiatric appointment. Now, I was a little thrown because I thought in the finale of last season that the doctors were unable to remove the aneurysm, but everyone was speaking of it as if it had been successfully removed. Apparently, I was wrong.

Anyway, suddenly, Nate falls down with a vision–along with a large crane. Boy, did I get fearful here. I was heartbroken at the thought that Nate might be then next visioneer as opposed to Eli. It just wouldn’t be the same.

In the end, we all know what happens. They switch, and we’re back to the original premise: Man has aneurysm. Man gets visions. Man may die. The only difference here is now we know that they’re from a divine entity.

I’m not 100% sure how I feel about that. I always liked the idea that we wouldn’t always know if Eli was a prophet or whether these visions were flukes or divine. I don’t know if I like that Sigourney Weaver basically told us that she was (at least associated with if not the actual) God. Not that I don’t think she did a good job. I loved the transition from the bleak, empty office to suddenly full and alive with just one turn of Eli’s head.

But what I really liked about the first season was that with every vision, we really wondered if Eli was crazy, whether the vision would mean something, or if it would just be something laughable that will slap him in the face. Granted, more often than not, it was meaningful, but there was always some sort of question in the episode. Plus, he always needed to convince others about his visions–will this season still hold such a struggle? Everyone seems to believe after he found Jordan.

One thing does haunt me, though: Signourney’s character did point out that there were others in the bank other than Jordan. If I recall, they had 13 more people to find when Eli landed on the scene of the bank catastrophe, and we don’t know if they found all of them. What ramifications will this have in the future? Why mention it if there are none?

And what’s going on with Jordan that really made him have that meeting? It certainly wasn’t to get a client like Taylor thought. Is he in a lot of trouble? (Kudos on the cracks on the current state of the economy, by the way…)

Overall, though, I liked the episode. I think I could watch Jonny Lee Miller dance like he did in the street scene all day. I can’t wait for the rest of the season, and contrary to popular belief, I’m actually looking forward to Katie Holmes’ appearance.

But will someone tell me, did they attack Taylor and Maggie with a tan spray gun? My god. I know they needed to make Maggie look less like Ally McBeal, but my god! Oh, and I don’t really like how couply Taylor and Matt Dowd are. I don’t care how long they’ve been sleeping together, I somehow doubt he’d be that openly touchy/feely–hugging, kissing, and touching the small of her back. He is, afterall, pond scum.

Change, it is a-comin’

Ok, everyone. Let’s welcome our guest HIMYM poster, KT! We’re excited to have her on-board. She’s drawing some great points from previous seasons to flips of the future, so I know she’ll give us some great insight.

How I Met Your Mother:  4.04 “Intervention”

I love how this show can cram so many moods in together.  For an episode that starts out laugh-out-loud funny, it becomes sort of an elegy for the apartment, dances dangerously close to much-ado-about-nothing territory, and leaves you with just enough foresight to be insanely curious!

First, I think it has to be said:  As far as I’m concerned, Neil Patrick Harris can totally play Thomas Edison any time he wants to.

I think what makes this a good episode is the way that Barney’s old man make-up starts out as a big joke – and a good joke! – and, without being obvious about it, they carry that thread through the episode until at the end it pays off and leads Ted to change his mind about moving.  Barney’s character has always been invested in maintaining the status quo:  Stay single.  I will always be as awesome as I am now.  It was nice to see Ted look at an exaggerated version of this side of Barney and accept that sometimes you have to grow up and move on.  I did think that the way the writers had Ted declare that he was moving and therefore everyone else should too was a little too cut and dried, but since he was also the domino that started to make the others think they should stay, I’m going to let that slide.  I’m fairly comfortable with where Ted was at the end of the episode, thought I still worry about how much he’s been freaking out lately.  We’ll see where that goes.

The weakest part of the episode for me was the series of interventions.  They were reasonably funny as a running gag, but in the end, they were mostly filler.  Between the flashbacks and the gang’s backpedalling that “This was all before we got to know Stella,” the story point – that the gang is worried about how fast Ted and Stella are moving – didn’t come across very strongly.  But at least we know that we aren’t the only ones thinking it.

However, Robin’s Seuss-inspired letter about Marshall’s hat was just plain awesome, and I did appreciate learning later on that Lily’s fake accent was precipitated by watching all the Bond movies back to back.

One more thing about the interventions:  I have to say I feel pretty sorry for Stuart!  In a way, he’s the Jonathan of the series (for you Buffy fans out there) – he keeps showing up in supporting roles.  Unfortunately for him, each time he’s appeared, his situation seems… less good.  Remember how he was the guy spewing cliches at Marshall’s bachelor party in season 2?  And now he’s an alcoholic?  Poor guy.  It did bother me a little that his wife seemed to be the dark haired woman, even though Stuart and Claudia’s wedding was significant in season 1… at which point Claudia was very blonde.  Presumably she’s just changed her hair color.  I didn’t get a good enough look to tell whether it was the same actress.

As per usual, let’s take a close look at that brief flashforward shot of the gang a year from now.  Lily and Marshall are fine, good.  Ted is alone, which means nothing – could be between relationships again, or perhaps he just didn’t bring Stella (or whoever…).  Robin has her hair up in a very becoming and vaguely Japanese-looking style.  And is it just me, or are she and Barney sitting a little closer than usual?  And…someone is still living in the apartment upstairs!  Who?!

One last thing:  I love the way HIMYM dishes out the nerd references.  Of course Ted – who, as we know is a huge Star Wars fan and plays World of Warcraft – would enjoy a Ren Faire!  (Undercover nerds… they’re all around you!)  And his pronunciation of “encyclopaedia” totally fits with what we’ve seen of Pretentious College Ted.

One last quibble:  Who can we pay to get Marshall to cut his hair?

Breaking News: A New Holiday?

Talk about your newest propaganda. How about creating a new holiday in honor of a new show? According to The Futon Critic, CBS and 1-800-Flowers.com has created “The Ex Day.” This day, to be celebrated on Thursday, October 16, has its own bouquet in order to reunite old flames or even just to say, “How ya been?”

This is all to go hand-in-hand with promoting CBS’ new Friday night series The Ex List, a show that, honestly, I haven’t been too impressed with. Here’s 1-800-Flowers’ promo text:

Inspired by CBS’ new series, THE EX LIST, “Ex Day” on October 16th is the perfect day to reconnect with your “Ex” and who knows…sparks could fly again! And what better way to surprise them than with this fabulous bouquet of fresh green and white flowers!

I find this slightly…odd. Insane? I don’t know. But hey, maybe some love can bloom between you and your ex. You might even get a present: A shiny new restraining order.

Ando dies?! Is it true?!

Ok, guys. I’ve just noticed that there’s a huge amount of traffic going to one of my old posts, “And now we see how Ando dies” from season one. For those of you reading my blog, you’ll notice I haven’t updated about Heroes for a while, but I just read some recaps, and it looks like something might have happened to our dear friend. I’m planning on at least catching up on last night’s ep, if not the entire season, because I’m just curious. I’ve heard some rocky things about this season but also some good things, so I want to give it another chance—at least for a while.

Like I said, I haven’t seen last night’s ep, but I’ll be sad if Ando’s gone (especially at the hand of a certain someone…). Feel free to discuss below before my next Heroes post, but for those of you who are reading comments, beware of spoilers!

Jonas Brothers: They haunt me (along with Miley Cyrus)

Does anyone out there watch The Soup? If you don’t, you should. I know, I know. A lot of you have “plans” and “social lives” that you need to take care of on precious weekend nights (if you’re wondering about the quotes, picture Jackson from Hannah Montana talking about his food shack on the beach). Anyway, this Friday had a fantastic new (parody) promo for the newest movie Quarantween that I just had to share.

Yessiree, that’s the JoBros, Miley Cyrus, Selena Gomez, and the rockin’ cast of High School Musical…killing us all. Awesome.

Anyway, The Soup’s great. If that clip hasn’t gotten you, here’s another. This was not on Friday’s episode, but apparently this put The Soup back on the map with viewers. Do you like cats? Do you like spaghetti? You’ll love this, no matter the answers.

Oh YouTube. How helpful you are.

Watch The Soup! Blow off friends. Who needs friends when you have sarcasm and wit?

PS – No, the Disney Channel kids are not killing us all, but you know, with some of those songs that constantly get in my head, maybe it is some sort of conspiracy. Man, they’re catchy…

A couple news items

Hi guys! Thought I’d do a little mini-post just to say a couple things. The first is about a new show and the second is about an old one!

So I found out today that ABC Family just signed on two new sitcoms, one of which is named 10 Things I Hate About You. That’s odd…I swear I saw a movie like that in 1998. Well, guess what. You did. The Futon Critic announced:

“10 Things I Hate About You,” a half-hour, single-cam series is directed by Gil Junger (“10 Things I Hate About You”) and executive produced by Carter Covington (“Greek”), who also penned the pilot script. Based on the hit movie “10 Things I Hate About You,” the Stratford sisters are two very different people and that is evident as they start at their new high school with very contradictory goals. Kat is a strong-willed, in-your-face feminist who is looking to save the world and get out of high school as fast as she can. Bianca is a social butterfly whose only concern is that she is popular, by any cost. As they both start the year out bumpy at Padua High, can each girl get what she wants in the end as they navigate the popular crowd, boys and their over-protective Dad? The series is produced by Prodco, Inc.

But wait! That IS the same movie. Yes, ladies, gentlemen, and Heath Ledger fans, we’re resurrecting the high school flick and putting it as a TV series. Now, to be honest, I really wonder how this is going to work. Of course, we’ll have different actors playing our favorite sisters, though I can’t say that for sure, as IMDB has no information about this series yet. (It’d be great if they kept the dad as the same actor, though.) But here’s the real issue: How can you keep this going for more than one series? The girls are two years apart, which means if you started them with Bianca’s freshman year, we’re already giving poor Kat only two years on the series. Plus, if we’re keeping hand-in-hand with the film, Kat was at this high school her freshman year when she dated Joey. Hmm. I just don’t know how many seasons you can allot, unless you’lre planning on some rewrites.

And can anyone really live up to Heath’s shadow? Let alone Julia Stiles’.

In other high school TV news, one of my readers brought to my attention the Prom Queen, the online series written by the writer of Sorority Forever, came out on DVD this week (on sale here) along with a series called Summer Heat. Now, I caught probably the first few weeks of Prom Queen and a few episode from here to there, but what my plan is (knowing there’s interest out there) is to try to recatch it and write a review. I’d never even heard of Summer Heat, so I might attack that one, too, if anyone’s interested. You can find more info on the main website for the shows.

While I know they’re older series, it gets me a little more in tune with the online series out there and maybe give me a greater understanding of Sorority Forever.

So any thoughts out there? Who wants to go back to high school with me?

But what would Rev. Camden say?

Considering how much I love Buffy, Angel, and Joss Whedon, it’s surprising that I really haven’t kept up with David Boreanaz and Bones. Well, one of my new readers (welcome!) has brought my blindness to my attention and requested that I bring Bones to my viewing. Good choice!

So I caught tonight’s episode of Bones–the last episode the David’s hair is brown as opposed to red, based on the upcoming episode trailers that were aired after the show, as far as I can tell. I enjoyed it. It was a little rocky at the start. I get a little nervous when we blatantly start discussing the belief in God versus non-belief versus crazies versus rationals, but I feel like it was treated really fairly in this episode.

On the gross side, we’ve got a corpse that’s cut in half and a man that had a sex change operation. Mainly, I got a little skeezed with the rotting body halves, but to distract us from said grossness, we have the newest and brightest intern on deck. (First, can I mention how much I’m enjoying the round robin of interns this season? No one can replace Zack, you know? Oh, and for the Bones fans out there, can you remind me of his nickname?)

The new intern was entertaining, but of course didn’t last. I enjoyed Hodgins’ explanation, though, about where his predecessor went. (Sigh. Poor Hodgins. Rough season.)

Ok, back to the story. So we have this body who is both man and woman–and on top of that, a pastor! What’s even better? His son (her son) just so happens to be David Gallagher of 7th Heaven fame. Is this kid always cast in religious television shows and episodes?

This is where I like the story. Through the analysis of the body and the analysis of the son, we see all realms of the religious experience…or at least the main three: religious fanatacism, comfortable and accepted religion, and rational disbelief. What I appreciated most is how fairly Booth was looking at the religion practiced and believed by these people. It wasn’t cynical, like Bones’ analysis. Even the mocking looks as they watched video footage–which displayed more of the fanatacism–was straightened up. The victim’s son explained it cooly and straight-forward…so much so that Booth even asked him if he’d considered rejoining the church.

In the end it was the wife. Fair and mildly predictable once we were looking at boats, but ok. I think the overarching ideas were a good tradeoff for some moderate predictability.

And then there was the humor. For some reason, I just can’t get enough of seeing Bones take the $40 as if she was going to keep it and it was a prize when Booth and the shrink were placing bets. And any discussions between the two are priceless–they carry the show, really. And I think that’s how it becomes distinctive among all the other murder shows out there. Really, really great.

And just remember, everyone is the same under the skin–except at the skeletal level. Right, Bones?

***

Like I said, I’m going to try to keep up with Bones now as requested because I do enjoy it, though I haven’t kept with it for every episode. So it might be a little rough right now; bear with me.

Though I must say, last season’s finale was the saddest thing I’ve ever seen, considering that no one in the episode actually died (barring the victim).

Garden State

The end is near. Everyone, find your loved ones. Get them together. Run, run, run. STELLLLLLAAAAAA!

Ok, I’m sorry, but I had to fit in a reference to Streetcar, just because the name Stella is used in How I Met Your Mother.

So, what is going on with this show? With the newest episode, we’ve discovered that Marshall hates New York, Ted’s moving to New Jersey, and Robin’s…leaving for Japan?!

Let’s backtrack. Let’s think about Ted. Is Ted annoying anyone lately? It’s like the very analytical, smart guy has left the building and we have this replacement Ted who’s not thinking. First, he proposes to Stella, which was nice, but then he realizes that he knows nothing about her and freaks out. And then he just naturally assumes that Stella and her daughter, who own a house, would move into his apartment in New York, where Lily and Marshall are currently also residing without even discussing it with her! Well, except one drunken mention of the topic. I’m sure everyone in their right mind would assume that there would definitely warrant a discussion. She has a daughter for god’s sake! Schools, friends–everything Stella mentioned. Not including the fact that she owns while Ted rents, which gives her a much larger financial commitment AND it gives them double the room.

Honestly, I feel like we’re running out of things to do with Ted. It all happened last year when he and Robin weren’t together and suddenly Ted had fewer storylines. Think, for example, of the episode where Lily is attempting to sell her art. Ted’s whole purpose in that episode is to prove that he pulls off his red boots–which really wasn’t all that funny. Now, we have him stuck in this engagement with Stella…still, with nowhere to go except a house in New Jersey.

And aren’t we spending a little too much time analyzing how badly this relationship is going to turn out? I feel like the subtlety is lost. We’re pushing too many buttons. Straight out of the box, we’ve realized that he knows little to nothing about Stella and that he isn’t even willing to get past his own selfishness to get together with his to-be wife. Yes, we get it, they’re not perfect. But why can’t we see any of the happiness anymore? Mix it up. Show it all! Make us really think and question: IS STELLA THE MOTHER?!

Ok, so we can’t avoid the topic of Robin. Japan, huh? Well, to be honest, I think that this might be the last season of HIMYM. With the near cancellation last season, I really think that we’re gearing up for a possible end date. We’re spreading all our characters out. We’re blocking Barney in a small box with his affection for Robin. And now we’re shipping out people to Japan and New Jersey. To be honest, I’m not entirely sure where I think that this new Robin turn will take us–they won’t ship her off immediately, though I can see her having a long-distance friendship with the people solely by phone conversations. I don’t think I’d prefer it, and she’d turn out back in town anyway, I’d think, but I’m not sure. I can’t see her with Barney, but aren’t we supposed to?

Anyway, I think we’re getting close to an end, which makes me a little sad. Where does everyone think it’s going? Will this be the end? Should it be? What do you think?

Oh, and I know some other bloggers agree with me, but Marshall’s anti-NYC speech was fantastic. I think it was possibly one of the best moments of the show. Another? Barney’s commentary. Check it out.

Nick Jonas: tasty but sugar-free

So I’m sitting around, wasting time for Fringe to come on and it’s about 7:30, so I figure I’ll just watch some Hannah Montana and then figure out what to do for the hour afterward. Well, I catch the end of Suite Life and it moves on into a commercial break. Of course, it being Disney Channel, it’s not so much a commercial break as it is a self-promotion break, so we see a short special on the Jonas Brothers.

This particular one was about Nick Jonas and his life with diabetes. Now, I think this is a great thing to really inform kids about and to share on the Disney Channel. It’s something that many people live with–including peers of viewers if not the viewers himself! So anyway, it was decent.

Until I saw that all medicine, needles, and other medical necessities for anyone with diabetes were blurred out. And I’m not sure why. Was it to blur out the name of the medical supplies so that they’re not promoting any particular diabetes product? Or was it just to hide any sort of needle so others can’t make assumptions of what they’re used for, even though the entire thing was explaining it?

Really, it’s a little appalling. This is a big part of what life is like for someone with diabetes. If we really want to show what Nick Jonas is struggling with then SHOW it. Is it really that necessary to censor? I just feel like we should be seeing it all to totally appreciate how much he goes through–and how much their peers go through. I just feel like it loses a little of its impact.

Which is too bad. It would have a really strong message and give the younger audience something to think about otherwise.

Happy Halloween, Dr. Horrible

Not only does someone have a lot of time on their hands, but they have WICKED TALENT!! Take a look at this amazing work of art dedicated to our very own Dr. Horrible.

It’s not all just costumes come Halloween time.  Way to go, Pumpkin Wizard!

Ding Dong the *itch is dead?

ONE TREE HILL: 6.05 “You’ve Dug Your Own Grave, Now Lie in It”

Wow, a lot of stuff was going on in the latest episode of One Tree Hill. There were characters reunited, characters broken-hearted, and characters dead.

Let’s start with the lamest of the storylines. Peyton is trying to find a parent…again. We’ve had her deal with her mom’s death. Then we had her find and deal with Ellie. And now we have her dealing with the possibility of finding her father. I’m sorry, but I’m bored and don’t care. Is this about having a moment where she finds the person to walk her down the aisle? Because that’s been done before.

Moving on. Lucas told Lindsey about Peyton in a very awkward circumstance. But instead of going on with that because there’s very little to be said…how UGLY was that book cover? Something a little more subtle for a book that they described would have been nicer. But dude, it looked like the newest cover for a book by James Patterson. It was terrible. They could have done something very simple to make you think. Isn’t that what his book was supposed to be like? Anyway…

Was everyone glad that Millicent is back? I am. Which surprised me. I was never all that thrilled with her–seemed fine but plain to me. But she’s back. And yay for Brooke. Still curious to see where Brooke goes, though.

And then…the nanny. Is anyone else thrilled that we’ve FINALLY gotten rid of this storyline? But wow. How ridiculous was that?! A chase through a cornfield?! I felt like we suddenly were put in a terrible horror film from 1972. Now, don’t get me wrong. I was basically sitting at the edge of my seat, anxious, while it they were running (though slightly ashamed by it), so it was clearly effective, but why did it happen? And I called every time the “dead” girl woke back up and wasn’t really dead. Afterall, even Buffy could tell when Dracula wouldn’t die based on old movies. I think we could do the same based on horror of old and new.

But at least with her end, we can see the end of a storyline. I hated that they brought her back, and I certainly am thrilled to move on without Carrie, as we should have after the wedding. Now we can get back to real things that are happening.

Hmm, but what?

Bring me back the Muppets I knew

STUDIO DC: ALMOST LIVE w/ Selena Gomez

I can just picture the Disney corporation tying Kermit to a chair in a dark, cement-walled closet with one lightbulb and leaving him there. To die.

Disney is killing the Muppets.

I’m watching the most recent Studio DC: Almost Live special, and I’m just wincing at pretty much every moment. I’m surprised I’m even chancing it again, considering how amazingly pissed I was at the first special for having the Swedish Chef “speak” in English. But I’m trying it because I’m and avid Muppet fan.

But this is brutal. For example, who is the new voices for Statler and Waldorf? Terrible. They aren’t even good at heckling! The New York Times Op-Ed cartoon was more quippy than this show.

But basically, they aren’t funny anymore, and now this show seems to be a 30-minute long advertisement for every Disney Channel show imaginable. Or movies. Within 10 minutes, we mentioned Selena Gomez’ new movie at least twice. And how many times has Wizards come up? Uggh.

Not only are they trying to fit in every possible star they can, but if someone can’t appear, they’re name-dropping like mad: Miley Cyrus, Jonas Brothers, Ashlee Tisdale. I even saw a picture of Billy Ray Cyrus in the background of the Cheetah Girls’ song.

I just remember back to The Muppet Show when a guest star–or even a few, like when we had the Star Wars crew appear–it was still about the Muppets. True, the guest star appeared in skits (good skits…let Disney know about that bright idea), but in the end, it was about the Muppets.

Now, the Muppets are accessories. Just annoying charicatures that are appearing in the background. And if we’re lucky, not saying anything. Because whatever dribble they’re making the Muppets say now is just painful.

So let’s make a list of what could be changed:

1. One guest star/host — That might be good to get the focus off some of these annoying people.

2. Get another writer on deck — I’m sorry, but you’re sucking. Let’s go back to the good ol’ days. If we can’t find the actual writers, at least WATCH some of The Muppet Show to find out what used to be funny and what the Muppet characters ACTUALLY are like.

3. Less musical numbers and more skits — In the first special, there was one actual skit and it wasn’t BAD. It wasn’t great, but it wasn’t bad. Give them something more like that to work with. We’ve seen all the songs fifty million times on all the music videos on Disney Channel, so let’s try something fresh.

That’s just three things that MIGHT help. But honestly, I think the best thing to do is release the Muppets from the lecherous grasp of Disney and move on to bigger and better things.

I miss the good ol’ days. Bring me back the Muppets I knew.